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By Michael - January 24th, 2010 The Ministry of Information has released this new propaganda video about the expansion now under construction at Hong Kong Disneyland. It’s mostly fluff, but there are some nice peeks at unseen art and models for Mystic Harbor (yay!), Grizzly Trail (meh!) and Toy Story Land (BOO!). Actually, that “meh” for Grizzly Trail is probably unfair on my part; while the rest of the land consists mostly of the “spraying water on people” play areas that I hate so much, the actual Big Grizzly Mountain Coaster itself might prove to be more interesting than originally thought. We know that it’ll incorporate some of the tricks first introduced in Expedition Everest, and that it’ll also feature actual audio-animatronics in the show scenes. The storyboards and models of the bear-based gags on display at the D23 Expo were reminiscent of Marc Davis’s old ursine story sketches, so that’s always a hopeful sign.
I will say one thing to whoever it is at WDI or in Burbank that decided to institute the policy of “fudging” the attraction numbers: STOP. For the love of Walt, please stop. You’re ridiculous. I get it that “attraction” is a nebulous label that doesn’t constrain you like “ride” or “show” would. I get it that a popcorn wagon could be an “attraction” if you decide that you really don’t care how much contempt you show for your guests. But this little scam that you seem intent on perpetrating with the Hong Kong park in particular is becoming a little transparent and threadbare.
When you send your people on camera to make ridiculous claims about attraction counts – even if you counted every shrubbery in the park, I don’t think you’d match that number – you not only strip them of their credibility and make them look ridiculous, but you also further devalue the word of the company that has already been pushed to all-time lows during the Pressler-Rasulo years.
So stop spritzing us with Beverly and telling us it’s rain. If you know it’s not true, and we know it’s not true, then why go to the energy of pushing the lie in the first place? Or is it just a distraction to keep me from spending this entire post whinging and grousing about Toy Story Land? Because if so… well played, sirs.
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By Michael - January 22nd, 2010
If you’re as lame as I am, and have nothing to do tonight, why not get a fantastic dose of Disney history by checking out the latest amazing Walt Disney World footage by Lord Phoenix on YouTube? This time around, we have the Magic Kingdom during its Tencennial in 1981.
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By Michael - January 21st, 2010
 Concept art for The Velveteen Rabbit by Fred Warter
The last decade, filled as it was with corporate turmoil at the Walt Disney Company, has proved a veritable elephant’s graveyard of abandoned ideas and projects at Walt Disney Animation. First there were the long-in-gestation projects that were scuttled with the purge of traditional animation in 2003 and 2004, then there were the projects that were briefly reassigned to computer animators only to then be canceled, and then there were the projects that were abandoned when John Lasseter and the new management arrived in 2006 and those that might have disappeared since.
It’s not surprising with this shifting landscape, and the ephemeral nature of animation projects in general, that there are quite a few abandoned productions that remain poorly known today. One of these, I’ve been surprised to discover, was an adaptation of The Velveteen Rabbit, the 1922 children’s novel by Margery Williams.
 Concept art for The Velveteen Rabbit by Fred Warter
Around three or four years ago, Disney worked on bringing this beloved story to the screen. According to artist Fred Warter, who worked on the project and posted this wonderful artwork on his blog, the project was canceled because Disney could never break the story.
As surprised as I was that Disney had recently worked on adapting this story, I’m even more surprised that they gave up on it. The Velveteen Rabbit is an extremely well-known tale; I’m sure they worried that it would duplicate some of the themes of Toy Story, or were concerned that it would skew too young, but I’d much rather see this than Winnie-the-Pooh.
Anyway, I probably wouldn’t be especially intrigued about the project but I find these pieces of concept art extremely appealing. They convey a “lived in” warmth that seems rare in digital concept art, and convince me that a computer animated version of such an simple and organic tale could work without feeling sterile or cold.
That’s a glimpse at one of the many unsung projects at Walt Disney Feature Animation in the last decade; as always, I’ll try and keep an eye out for more information on productions lost to the mists of time. Be sure and drop by Warter’s blog to see more of his great artwork.
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By Michael - January 20th, 2010 In today’s entry in the “How’d that work out for ya?” file, we have this headline from the April, 1979 edition of the Disney Times.

An African Pavilion for EPCOT Center’s World Showcase came a step closer to reality with the recent receipt of a letter of intent from Kenya. Two other African nations, Senegal and Ivory Coast, are expected to send similar letters soon.
Definitive agreements with these nations are still being negotiated by representatives from Disney and the respective governments.
The African Pavilion will promote tourism in the participating nations and will feature authentic food and merchandise of each country. There is a strong possibility that other nations may also participate as co-sponsors of the pavilion, according to Jack Lindquist, Corporate Vice President who’s heading the EPCOT team in seeking out participants for both Future World and World Showcase.
 “Map of Africa shows possible participants in the new African Pavilion” (Disney)
Kenya, with 14,340,000 population, is slightly smaller than Texas. Under British control since the 19th Century, it became independent in 1960. Acting President is Daniel Arap Moi. Tourism is the main industry, with coffee, tea and cotton the chief crops. The capital is Nairobi (pop: 736,000).
Ivory Coast is the most prosperous of the tropical African nations. A bit larger than New Mexico, with a population of 5,150,000, Ivory Coast became independent in 1960 after being a French protectorate since 1842. Coffee, cocoa and bananas are chief exports. The president is Felix Houphout-Boigny. Abidjan (pop: 800,000) is the capital.
Senegal, about the size of South Dakota, has a population of slightly more than five million. It, too, became independent in 1960. Peanuts, millet and corn are its chief crops. President is Leopold Senghor and the prime minister is Abdou Diouf. The capital is Dakar (pop: 600,000).
Now, didn’t you just learn so much? Imagine how much you’d have learned had the pavilion actually been built!
Of course, political instability and economic woes kept these nations from sponsoring a pavilion. Kenya’s president Daniel arap Moi became something of a dictator, surviving a coup attempt in 1982. The nation’s page on Wikipedia includes the following phrase: “In rural areas like Kisii District the cases of people being burnt as witches is on the rise.” Well, ok then.
Côte d’Ivoire has had similar issues; President Houphouët-Boigny was another long-serving benign dictator, and following a decade of economic woes in the 1980s and the death of Houphouët-Boigny in 1993 there has been a military coup and a civil war. All of which would make for a very awkward World Showcase experience, and one wonders what missions Kim Possible would assign you in that pavilion. Senegal has fared better by comparison, despite a militant separatist movement, but it remains overall a very poor nation.
 A later rendering by Herb Ryman of the proposed Equatorial Africa pavilion
All of this makes these nations’ intended participation in World Showcase that much more ambitious, and I would love to know the details of those negotiations. These nations’ woes are, of course, mostly unfortunate from a humanitarian perspective, but the collapse of these plans are also a shame because this would have been an interesting and unusual pavilion. Its design details remain intriguing today.
Mostly, though, the pavilion’s potential was in introducing a western audience to the cultures of countries that most people couldn’t find on a map. Perhaps it’s an idea worth revisiting.
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By Michael - January 17th, 2010 
For some reason I have a feeling that we’re going to have a lot of new readers today. To you all I say, welcome! Come in, set a spell. Subscribe to our RSS feed so you never miss a moment of our delicious wacky Disney goodness.
If you’re looking for information and speculation about Disney’s NextGen project, you can find the original articles on the subject from last April here and here, and an important correction here. Note that we’ve been piecing the story together from small bits of info over the course of a year, and with Disney’s level of secrecy on this project no rumor should be taken as the “gospel truth”.
Those of you interested in the history of Disney parks might want to check out my Neverworlds series, including articles on Port Disney, Disney’s America, France’s Lava Lagoon, and of course EPCOT’s mythical Danish bathrooms.
And, of course, those interested in my rambling thoughts and philosophies on what Disney needs to do to restore its parks in Florida and beyond can read my ten wishes from 2009 (with #1 soon to be named).
Whatever you do, though, don’t miss these videos! If there’s any benefit from all this traffic, it’s that I can beg anyone from Disney that’s dropping in to do everything they can to restore EPCOT to its lost grandeur. The park was and can be great, guys. But that’s a story for another day.
For now, stick around, drop us a line, and enjoy!
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The Progress City Primer
 From the Progress City archives comes this collection of 33 tall tales and true from Disney history. Available in paperback, hardback, and ebook formats.
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