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The Great Discovery Island Logo Contest of ’93

Once upon a time, ibis-crazed visitors to Walt Disney World could visit Discovery Island – a relaxing tropical hideaway in the center of Bay Lake. It was a pleasant little zoological park; the kind of subdued but atmospheric attraction that is rarely seen today.

In 1993, Discovery Island was looking for a new logo. Disney CEO Michael Eisner, on one of his jaunts through the Florida property, had assigned the Imagineers to design a new logo for the attraction. This was the kind of micromanagement that Eisner was known for early on; it was typically maligned by the business community but it’s actually one of his traits that I found most endearing. After all, what was Walt but the ultimate in micro-managers? And I certainly won’t pretend like I wouldn’t be one too. Should I magically wake up in the morning as CEO, and embark on a park tour with a cadre of Imagineers and managers, it would probably take me a couple of days before we even made it to the end of Main Street.

Of course, Eisner’s big weakness was his taste. I won’t fault him for noticing minutiae and demanding changes, but the problem only came when the changes he requested were tacky or ridiculous; Walt’s nitpicks, obviously, almost always made the product better.

The following article and proposals for new Discovery Island logos come from an internal Imagineering publication from February of 1993:

Proposed Discovery Island logo by Scott Sinclair and Scott Allen, 1993Proposed Discovery Island logo by Scott Sinclair and Scott Allen, 1993

Discovery Island Logos Submitted to Corporate

WDI this week turned in over 45 graphics concepts to Corporate in response to a company-wide call from Michael Eisner for a Discovery Island logo.

Proposed Discovery Island logo by Michael Warzocha, 1993Proposed Discovery Island logo by Michael Warzocha, 1993

According to senior show producer Kathy Mangum, it all began in 1992 with Eisner’s annual tour of the Walt Disney World Resort. “During last year’s walk-through, Michael asked us to develop a new logo for Discovery Island,” she explained. “Julie Svendsen designed a wonderful logo which we all loved, and we presented it during his walk-through last month. This was after the very successful Mighty Ducks logo contest when Michael received 250 entries. He just loved that, so he wanted to try it again.”

Proposed Discovery Island logo by Julie Svendsen, 1993Proposed Discovery Island logo by Julie Svendsen, 1993

About three weeks ago, the call went out and Imagineering’s graphics designers, show designers and concept designers [plus one architect] put pen to paper and ideas to computers, generating a variety of bold and striking renderings. After reviewing the submissions with Marty Sklar and John Hench, the Project Team turned in all of the ideas to Eisner. “There’s not a bad one in the bunch,” said Kathy. “They are very creative and some would look great on t-shirts.”

Proposed Discovery Island logo by Owen Yoshino, 1993Proposed Discovery Island logo by Owen Yoshino, 1993

“Entries” from Imagineering, Animation, Consumer Products and other Disney business units were due to Corporate today. Eisner will review the submissions and pick the winner. “Hopefully, we’ll have some input since, unlike the Mighty Ducks, the Discovery Island enhancement is a WDI project,” added Kathy. “Of course, we’ll lobby for the WDI logos.”

Proposed Discovery Island logo by Ed Haro & Terry Dobson, 1993Proposed Discovery Island logo by Ed Haro & Terry Dobson, 1993

I don’t know if a “winner” was ever announced for the contest; by 1994, this was the logo featured on the Discovery Island brochure:

Discovery Island logo, 1994Discovery Island logo, 1994

Sadly, Discovery Island closed in 1999; its furry and feathered inhabitants were transferred to the new Animal Kingdom park. It still sits unused today, slowly rotting as the jungle takes it over. I, for one, blame the logo – curse you, logo!

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Run For The Border, 1983

So we step out of the TARDIS and it’s 1983. And it’s EPCOT, so let’s ride something.

It shouldn’t be a problem, of course. After all, as we all know, EPCOT was super unpopular because it was so boring and dull, with no thrills and it made children cry and no one ever, ever came. So it should be an easy walk-on to El Rio Del Tiempo at the the Mexico Pavilion – after all, it’s a slow dull dark ride with no thrills whatsoever and there aren’t even any characters. No characters?! Why even bother? Oh well, might as well. Let’s just stroll over and…

Mexico Pavilion at EPCOT Center, 1983The Mexico Pavilion at EPCOT Center, 1983

OH DEAR LORD!

So… uh… boring… and, uh… unpopular…

Of note: Wow, that’s a big show building. And some short trees. And look how much space there is between the building and the promenade!

Anyway, it’s nice and all but can you imagine how excited these people would be if it were a roller coaster?

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D23 Springs Forth

D23 Mickey Banner

It’s been suspiciously quiet on the D23 front lately, as members waited to see what plans the company’s “official” fan club held for 2010. With all the shakeup at Disney lately, it seems like several divisions are still catching up – try, for instance, to determine what Disney’s DVD release schedule is this year!

In any case, we’ve just received the list of D23’s events through this spring. We’ll still have to wait a bit for the official D23 Expo announcement, but that is in fact forthcoming. For now, though, here’s what’s been announced for 2010 so far. D23’s special-event lineup includes:

January 22, 2010 – A Practically Perfect Night of Surprises with D23 and Mary Poppins

D23 Members will attend a performance of the critically acclaimed Mary Poppins at the Ahmanson Theatre in Los Angeles – plus an exclusive post-show experience with the Mary Poppins cast… and a top-secret surprise guest. (Hint: It’s an actor from the classic 1964 film.) D23 Members will receive 20 percent off select tickets for the January 22 performance (in various seating locations and price ranges). Visit the D23 website at www.disney.com/D23 for ticket information and availability.

February 13, April 10, August 14 and November 13, 2010 – D23 Day at The Walt Disney Studios and Archives

D23 Members will get a behind-the-scenes look at the legendary Walt Disney Studios lot in Burbank and at the Walt Disney Archives on a two-hour tour hosted by D23 and Archives staff members. Three tours will be held on each date, and each tour can accommodate 50 people. In D23’s Charter Year, these special tours sold out almost immediately. Tickets for the February 13 and April 10 tours will be available at 10 a.m. Pacific time Thursday, January 26, and are $50 per person.

March 5, 2010 – D23’s First-Anniversary Party at the Walt Disney World Resort

Hundreds of D23 Members are expected to gather from around the country – and around the world – for a once-in-a-lifetime night of magic and memories. The evening’s festivities include a private dinner inside the Magic Kingdom’s Diamond Horseshoe Saloon, followed by an exclusive D23 viewing of Mickey’s PhilharMagic. Afterward, guests will hear insider details about the upcoming Fantasyland expansion from Walt Disney Imagineering. The celebration will also feature a sumptuous dessert party, a special commemorative pin for everyone attending, and a host of surprises. More details, including reservation availability and pricing, will be announced shortly on D23’s website at www.disney.com/D23.

March 10, 2010 – D23’s First-Anniversary Party at the Disneyland Resort

D23 will hold its one and only West Coast anniversary celebration in the most magical land at the Happiest Place on Earth: Fantasyland. D23 Members will take over all of Fantasyland for one amazing night filled with classic attractions, familiar characters (as well as a few you may not have seen in a while!), and a chance to see rare pieces of Disneyland history up close. Plus, D23 Members and their guests will enjoy an array of delicious Disney-inspired desserts, a special commemorative pin for everyone attending, and other surprises. Additional information, including reservation availability and pricing, will be announced shortly at www.disney.com/D23.

March 27, 2010 – “50 and Fabulous” Screening of Toby Tyler

At last year’s D23 Expo, Disney fans had a chance to see Disney masterpieces that were celebrating their Golden Anniversaries… a new D23 tradition that continues in 2010, this time in the recently renovated, state-of-the-art, 400-seat Studio Theater on the Walt Disney Studios lot in Burbank. Tickets to the “50 and Fabulous” screenings are free for D23 Members and their guests, and the series kicks off with a movie that hasn’t been seen on the big screen since its first release in 1960: Toby Tyler, or 10 Weeks with a Circus. D23’s screening of this lighthearted, live-action comedy will combine with special D23 surprises and the opportunity to enjoy a movie in this exclusive cinematic venue. Reservations may be made beginning at 10 a.m. Pacific time on Thursday, January 26. (A $5 processing fee for each ticket will apply.)

As with all live events, dates and times are subject to change.

Additional D23 special events are planned throughout 2010, including:

• May 8: “50 and Fabulous” screening of Pollyanna at the Walt Disney Studio Theatre;

• May 29-30: “Flowers and Fireworks” event at the Walt Disney World Resort, adding all-new elements as D23 expands the festivities to two days;

• June 26: A special celebration at the Walt Disney Studios marking the 40th anniversary of the Walt Disney Archives;

• July 10: “50 and Fabulous” screening of Swiss Family Robinson at the Walt Disney Studio Theatre;

• October 15-16: “Sip & Stroll” at the immensely popular Epcot International Food and Wine Festival;

• October 23: “50 and Fabulous” screening of The Sign of Zorro at the Walt Disney Studio Theatre

• December 11-12: “Magic and Merriment” weekend at the Walt Disney World Resort;

D23 is also in the planning stages for even more exciting 2010 events, details of which will be revealed in the coming months.

Now, that’s a pretty decent slate – if you’re in Florida or California. The rest of us, as expected, tend to benefit a little less from these events. Long-time readers will know that I’ve been fairly supportive of D23 so far, despite their occasional missteps. They’ve mercifully veered away from the more Magical ™ pixie dust, hugs and candy canes aspect of modern Disney, and have given pretty worthy service to the company’s real history and creative talents. Most importantly, they’ve always seemed to learn from their mistakes and actually listen to feedback.

This has manifested itself in a number of areas, most recently when they announced that 2010 would see the introduction of tiered memberships. The demand for a lower-priced membership option led to the new “Silver” membership, which at the price of $34.99 earns you the opportunity to attend special D23 Member events throughout the year as well as access to D23 merchandise and memorabilia. The current membership plan, priced at $74.99, became the “Gold” membership; this retains the benefits of the Silver level and adds a subscription to the quarterly periodical Disney twenty-three.

In addition, 2010 introduces some new benefits for both membership tiers. All members will receive a Disney Undiscovered: A 23-Month Calendar of Disney’s Unrealized Masterpieces; this wall calendar will contain lots of rarely-seen concept art for unrealized theme park, film and animation projects. It’s a neat idea and something I think fans would enjoy. New artwork is always welcome, after all.

The other new perk for members is the introduction of discounts at some locations in California’s Downtown Disney and in ESPNZones nationwide. Again, nothing Earth-shaking, but it’s a nice touch.

Now, of course, if billions of Disney fans had signed up for D23 I doubt we’d be seeing so many of these friendly gestures. But as cynical as the modern Disney corporation can make you, one does have to give them credit when they do the right thing. Lowering the price point for membership is a great thing, especially for residents of California and Florida that can immediately benefit from all these events.

All that being said, I have some qualms. You’ll note that most of these events have fees for admission – that’s not a good sign. So far, most of these D23 events have been free for members. Now the studio tours are $50 per person? Obviously this is merely a way of hiding fees – after all, I’d rather pay $75 and get into events free than think I’m getting a deal at $35 and then having to shell out fifty bucks every time I want to attend an event. And the $5 “processing fee” for their free screening is just shady, shady, shady.

I can understand if this is a deal that D23 had to strike to justify their continued existence to corporate. But this is a slippery slope, and something that needs to be monitored carefully.

But enough of that – the big story out of this is MOOCHIE. A headlining event for Toby Tyler?! My dad is going to be so stoked! This kind of thing is why D23 has amused me so far – who knew anyone at Disney today would have even heard of Toby Tyler? They’re having a special screening, and that has to mean just one thing – MOOCHIE at last!

Look at all those other “50 and Fabulous” screenings this year – besides Toby Tyler there’s Pollyanna, The Swiss Family Robinson, Mask of Zorro… that’s a power line-up! AND THREE OF THE FOUR FEATURE MOOCHIE.

Given that they screened last year’s “50 and Fabulous” films at the D23 Expo, I expect to see these this year. And thus my list of demands, Disney: Hayley Mills. James MacArthur. More Tommy Kirk. And MOOCHIE. Give the people what they want!

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Taking A Look At Ourselves, 1979

One of the more fascinating things about digging around in old newsletters and publications from Walt Disney Productions is that even long after Walt had died, the company was still very much a family shop. Reading publications from the 1970s and even well into the 1980s, one is struck by the casual and unpolished tone. Sometime it’s like reading your own goofy office newsletter, or even your high school newspaper. With the company’s only real outposts at the time in Burbank, Anaheim and Orlando, one gets the weird sense that everyone tended to know everyone else. Maintenance staff got prominent retirement notices, intramural ball games were covered extensively, and there were the requisite blood drives and classified ads.

It was a completely different world from the uber-slick, professionally produced PR pieces that Cast Members receive today. Instead of glossy pictures of Hanna Montana or the latest ABC show, the cover story for Burbank’s Disney Newsreel from August 31st, 1979 was a series of caricatures of the studio’s staff. While it is amusing, when you consider how much times have changed and how thoroughly unthinkable something like this would be today, what makes these images newsworthy is their artist – most of them were drawn by John Musker, who would go on to direct The Little Mermaid, Aladdin and The Princess and the Frog with his partner Ron Clements.

Taking A Look At Ourselves

For two weeks recently, the Studio has had the opportunity (for the first time in our history) to take a humorous look at ourselves. Those of us who visited the Studio Library were delighted (and amazed!) by the humorous caricatures that were on display there. Drawn by some very talented Studio animators and artists, they depicted some of us the way others see us, the way, perhaps, we see ourselves…

Caricature of Gale Warren, Mary Jo Terry and Mike Funicello by John Musker, 1979Gale Warren, Mary Jo Terry and Mike Funicello by John Musker
Caricature of "Big" Walt Ryan by John Musker, 1979“Big” Walt Ryan by John Musker
Caricature of "Hound Dog" Mark Greenway by John Musker, 1979“Hound Dog” Mark Greenway by John Musker
Caricature of Ed Austin by Allen Gonzales, 1979Ed Austin by Allen Gonzales
Caricature of Donna Chambers and Wendy Miller by John Musker, 1979Donna Chambers and Wendy Miller by John Musker
Caricature of Nancy Beaver and Norm Corey by John Musker, 1979Nancy Beaver and Norm Corey by John Musker

I’d love to know the story of Nancy Beaver and Norm Corey.

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X Marks the SLAM!

So, while I was researching my story about the old Lake Buena Vista STOLport, I spent a lot of time poring over old charts and trying to navigate several ridiculously labyrinthine governmental websites. All that staring at a monitor tends to make your eyes go crossed, and that’s what I thought had happened when I looked at a specific map from 2003 on the official Florida Department of Transportation website. It’s a highway map of Orange County that was created directly by the Florida DOT and the United States DOT’s Federal Highway Administration.

So, I scroll down to take a look at the Walt Disney World property…

Image of Walt Disney World from Florida DOT Highway Map

So, that’s kinda cool. I was sad it didn’t have any detailed markings for the resort, but it’s interesting to see the boundaries of the cities of Bay Lake and Lake Buena Vista. I was especially amused that they list the populations of the two cities: Bay Lake with 23 residents, and Lake Buena Vista with 15 inhabitants. That should be me in my Club Lake Villa!

Anyway, the interesting thing that caught my eye is at the very southern end of property, near the line with Osceola County. Surely, I thought, my eyes deceived me. So, I zoom in. Nope, there is was, plain as day:

Detail of "Rat World" marker from Florida DOT Highway Map

Rat World.

Rat World?!

That’s a pretty good burn, Florida Department of Transportation! I mean, it’s one thing to get slammed by some crank on the internet, but another entirely when the state and federal governments tag team to make fun of you.

Now, according to the key on the map, this marker is a triangulation station. These are apparently small survey markers littered across the world that allow surveyors, mapmakers and construction teams to do whatever it is that they do. Every marker’s location is accurately recorded in all three dimensions, which allows interested parties to measure distances and positions precisely.

And this one, located on Disney property near the Pop Century Resort, is called Rat World.

That’s pretty cold, surveyors. Although it is near Pop Century, so I can understand your sentiment.

I think that finding this designation on an official government chart is proof positive of the international Freemason conspiracy, the stranglehold on our society by the Trilateral Commission and the RAND Corporation, the Federal Reserve, Opus Dei and the Church of Scientology.

And they all. Hate. Mickey.

The truth is out there.

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