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Dining Around The World, 1987

Walt Disney World Dining Brochure (T094 1187), 1987   Walt Disney World Dining Brochure (T094 1187), 1987

Guests staying at the Walt Disney World resorts in 1987 might have found this flier waiting in their room. It touts one of the benefits of staying on-property – reserved dining at the resort’s exclusive restaurants!

I love the sense of classiness the flier’s graphics imply. The tuxedoed waiter serves wine over candlelight; the silhouetted man wears a suit while his ladyfriend, 80s perm and all, no doubt sports impressive shoulderpads. A far cry from sweaty tourists in unflattering t-shirts, trying to corral their loads of screaming children.

The flip side of the flier, listing all the full service restaurants on property, seems astounding these days. So few restaurants! Of course, having only four resort properties at the time certainly cut down on the options. What few restaurants are listed have changed mightily since then. Note how the restaurants’ old names try to evoke an air of the exotic; at the Contemporary there was the southwest-inspired Pueblo Room and Gulf Coast Room instead of the poseur-moderne “The Wave” or the blandly literal “Concourse Steakhouse.”

Then, of course, was the Empress Lilly, whose stately elegance presided over the then-calm waters by the Walt Disney World Village.

Below are the descriptions of these now-closed resort restaurants from the 1988 Birnbaum guide to Walt Disney World.

Contemporary Resort

Gulf Coast Room – One of the most elegant of Walt Disney World’s continental restaurants, with a subdued, relaxed atmosphere that seems worlds away from the bustling Grand Canyon Concourse and the congestion of the elevator lobbies. Roast lab chops Orloff, beef meunière, seafood brochette, and veal piccata are specialties of the house. There are delicious flambéed coffees for après. Carlos, the strolling guitarist, plays just about any song a guest may request. Children who don’t delight in the leisurely pace of the service can be dispatched to the Fiesta Fun Center Snack Bar. Jackets are required. Reservations are suggested; phone 824-3684. (The Gulf Coast Room closed in 1988 to make way for added convention space)

Pueblo Room – On the Grand Canyon Concourse, the spot is quieter than other Grand Canyon Concourse eating spots. The menu features Italian dishes including lasagna, pizza, chicken Torino, special Italian coffees, and homemade desserts. There’s a special children’s menu. Reservations accepted but not required. (The space formerly occupied by the Pueblo Room is now part of Chef Mickey’s)

Polynesian Village Resort

Papeete Bay Verandah – Serves Minnie’s Menehune character buffet breakfasts every morning, sit-down dinners daily, lunch Mondays through Saturdays, and brunch on Sundays. The breakfast buffet features all sorts of fresh fruit, French toast, eggs, and grits. The hot-and-cold lunch buffet is a favorite; one highlight is the coconut-spiked rice pudding for dessert. The prime ribs and red snapper are the best choices for dinner, but more adventurous diners may be tempted by some of the Polynesian-style offerings. Among the appetizers are scallops marinated in coconut milk with a touch of horseradish and sour cream; shrimp, kingfish, spinach, and cabbage steamed in ti leaves; and thin salted salmon fillets seasoned with lemon, scallions, and tomatoes. Main courses include Pua’a (sauteed pork tenderloin and oriental vegetables served in a pepper half over saffron rice) and chicken pago-pago (a marinated chicken breast glazed with a honeyed sesame sauce and served in a pineapple half). For dessert, the menu offers poached pear marinated in apricot brandy and served with a strawberry cream sauce, and the macadamia nut pie with passion fruit ice cream. The room itself is large and open and offers fine views across the Seven Seas Lagoon all the way to Cinderella’s Castle. After dark, Polynesian dancers and a small combo entertain quietly. Reservations are requested for dinner and Minnie’s Menehune breakfast; phone 824-1391. (The Papeete Bay Verandah became ‘Ohana in 1995)

Tangaroa Terrace – This sprawling establishment, on the eastern edge of the property near the Oahu longhouse, serves that delicious banana-stuffed French toast made with sourdough bread (eggs and other more usual breakfast selections also are available), plus dinners of prime ribs, steak, and fresh seafood, including blackened grouper. (Tangaroa Terrace closed in 1996 and has sat empty ever since)

Walt Disney World Village

Empress Lilly

Empress Room – The most amazing thing about this restaurant (located amidships on the Promenade Deck) is not its food (though the menu is one of WDW’s most ambitious), but the combination of service and atmosphere. The Louis XV decor includes painted-wood paneling, damask wallpaper, a shallow-domed ceiling with an Italian brass chandelier glittering with crystal droplets, and, between the tables-for-four along the wall, dividers fitted out with paneling and etched glass. Parts of the elaborate moldings are covered with real gold leaf (worth $8,000 when the Empress was constructed in 1977).

The culinary offerings include hot and curried spinach and oyster soup or chilled avocado soup, Bibb lettuce and fresh mushroom salads, country pâté, smoked duck with creamed horseradish, crabmeat sautéed in butter with brandy, Dover sole stuffed with salmon mousse and mushrooms and doused with a vermouth sauce, stuffed breast of pheasant, venison, and more. The quality of the food preparation can be erratic, but this is among the most elegant eating places in the World. The restaurant seats guests from 6 P.M. to 9:30 P.M., and a 20 percent surcharge is added to each check for service. Not all the fish here is fresh; if this matters to you, be sure to get a status report before ordering. Jackets are required for men, and reservations are a must; they are available up to 30 days in advance (828-3900).

Fisherman’s Deck – This seafood spot on the forward Promenade Deck has a huge curved expanse of window – 180 degrees’ worth – and in the afternoon, the sunlight that washes the pale cream-colored tongue-in-groove paneled walls and the blue tufted Victorian side chairs is as remarkable as the food. At lunch, the chefs offer shrimp with pasta; crab meat, and avocado salads; fresh fruit salads; sandwiches made with grilled crabmeat, cheddar, tomato, and bacon; and fresh seafood daily. At dinner, shrimp cocktail, oysters raw or fried, snapper, prawns en brochette, and Maine lobster (seasonal) are the specialties; the Empress Delight includes a bit of everything – pompano, oysters and bacon en brochette, and crabmeat-stuffed lobster. At both lunch and dinner, there are also limited offerings for meat eaters. No reservations are accepted; give your name to the hostess and then wait over drinks in the always-lively Baton Rouge Lounge, on the forward main deck.

Steerman’s Quarters – This ornate main deck salon, full of heavy red upholstery and turned mahogany spindles and paneling, is named for the steering gear that would have occupied this area in one of the original stern-wheelers. Meat is the big deal – ground steak in puff pastry, strip steak, beef tenderloin – though oysters on the half shell and shrimp cocktail are available, along with fresh seafood and specialty crepes stuffed with seafood in white-wine sauce. At dinner, you can order prime ribs, buffalo steak, or half-a-dozen grilled meats. While you’re waiting for your food, you can sit by a big glass window that seems only inches away from the paddle wheel’s gleaming white arms and watch it turn. No reservations are accepted; give your name to the hostess and wait in the Baton Rouge Lounge. (The three Empress Lilly restaurants were all closed in 1995 to make way for the garish Fulton’s Crab House)

Lake Buena Vista Club – This former country club-like establishment is now a family-oriented restaurant complete with a new menu and new decor. Prime ribs, chicken, New York strip steaks, and filet mignon are offered. A children’s menu features 6-ounce prime ribs, fried fish, hamburgers, and grilled cheese. The dessert specialty is a layered Italian ice cream loaf. A new lighter cream-colored decor complements the natural wood tones. Ceiling fans and fern-filled planters add to the Southern feeling of the dining room. The dress is now casual and men no longer need to wear jackets. Reservations suggested; phone 828-3735. (The Club, which has just changed its name from the Pompano Grill, was closed in 1994 to make way for the ill-fated Disney Institute)

Village Restaurant – This unassuming dining room is one of the most pleasant restaurants in Walt Disney World – and there’s no waiting since reservations are accepted (828-3723). there are fine views of Buena Vista Lagoon, and the sunshine that streams through the windows keeps a whole garden’s worth of house plants robust and green all year. Fresh fish is usually available here. The restaurant serves “bruncheon” from 9:30 A.M. to 3 P.M. and dinner from 5 P.M. to 10 P.M. The menu features shellfish salads, eggs Benedict, quiche, and an interesting omelet stuffed with crab and artichoke hearts, as well as a selection of terrific sandwiches and homemade soups. Adjoining the Village Restaurant is the living-room like Village Lounge. Fitted out with comfortable low sofas and club chairs, it features pop musicians. A great spot for after-dinner drinks. Valet parking is available. (The Village Restaurant became Chef Mickey’s in 1990, and when that restaurant moved to the Contemporary in 1996 the building was buried under a giant volcano and turned into the Rainforest Cafe)

The Disney Inn

The Garden Gallery – The former Trophy Room as been completely renovated and redecorated and now offers an open, airy atmosphere with skylights and plants. This is the resort’s only full-service restaurant, and it ranks among the most pleasant spots in the World for a meal. Many Disney executives come here for lunch. The restaurant offers a pleasant away-from-it-all feel. At breakfast there is an immense all-you-can-eat buffet or you can opt for a continental breakfast. Lunch features tasty entrées and a fresh and varied salad bar. At dinner, fresh seafood prepared in a variety of light sauces is the specialty. There are also beef, veal, and fowl selections daily. French-fried ice cream, served on a peach half with vanilla sauce, is offered both at lunch (on the à la carte menu) and at dinner; it’s truly scrumptious. A delicious old-fashioned strawberry shortcake is also worth a taste. (The Garden Gallery remains open but off-limits to civilians after the United States military began their lease of the Disney Inn (renamed Shades of Green) in 1993. UPDATE: According to Aaron in the comments below, I was wrong about this. Looks like we can all still eat at the Gallery!)

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Make Mine Mickey?!

What?!?!

OK, it’s rare that Disney does anything that totally blindsides me, but this is one of those moments. Who saw this coming?? And if you said you did, you’re totally lying.

Disney is buying comics giant Marvel for $4 billion. This is huge. Really, really huge. I think it will have as big an impact on the company’s product as their 2006 purchase of Pixar. Aside from whether it’s good or bad, the only real judgment to make at the moment is… it’s big.

Disney now owns Spider-Man. It owns the X-Men. It owns the Incredible Hulk, Iron Man, and the Fantastic Four. It owns Captain America. It owns one of the twin pillars, along with D.C., of the comic world, and locks up those thousands of characters and properties just as Warner Brothers controls Batman and Superman.

The deal was just announced, and is yet to be approved, so we don’t yet know the ramifications. The Marvel superheroes already hold court in Orlando at Universal’s Islands of Adventure; I’m sure we’ll soon learn the details and fine print of that contract. That park’s Spider-Man attraction is one of the world’s greatest dark rides; what will become of it? What will become of the endless Marvel movie deals already underway in Hollywood? Will Disney retake the X-Men film rights from the villainous clutches of Tom Rothman at 20th Century Fox?

For a company that was previously worried about how to engage young boys the way that the princess and fairy franchises, not to mention Hannah Montana, enraptured females, this will pretty much solve that issue. I can’t say I don’t wish that Disney had managed to look inside their own creativity to solve these challenges aside from putting pirates everywhere, but purchasing Marvel is definitely a bold and unexpected maneuver.

This’ll certainly make things more interesting at D23. The mind reels at the possibilities, as well as the potential problems, that this deal affords. I can’t say I don’t get excited about the idea of a Disney-branded Avengers film, but at the same time I don’t want Galactus stomping around World Showcase at the end of Illuminations. All things in moderation, guys.

I’m loathe to use the term “breaking,” but I’m sure we’ll be hearing a lot more about this in short order…

UPDATE: A press release appears:

August 31, 2009

DISNEY TO ACQUIRE MARVEL ENTERTAINMENT

Worldwide leader in family entertainment agrees to acquire Marvel and its portfolio of over 5,000 characters

Acquisition highlights Disney’s strategic focus on quality branded content, technological innovation and international expansion to build long-term shareholder value

Burbank, CA and New York, NY, August 31, 2009 —Building on its strategy of delivering quality branded content to people around the world, The Walt Disney Company (NYSE:DIS) has agreed to acquire Marvel Entertainment, Inc. (NYSE:MVL) in a stock and cash transaction, the companies announced today.

Under the terms of the agreement and based on the closing price of Disney on August 28, 2009, Marvel shareholders would receive a total of $30 per share in cash plus approximately 0.745 Disney shares for each Marvel share they own. At closing, the amount of cash and stock will be adjusted if necessary so that the total value of the Disney stock issued as merger consideration based on its trading value at that time is not less than 40% of the total merger consideration.

Based on the closing price of Disney stock on Friday, August 28, the transaction value is $50 per Marvel share or approximately $4 billion.

“This transaction combines Marvel’s strong global brand and world-renowned library of characters including Iron Man, Spider-Man, X-Men, Captain America, Fantastic Four and Thor with Disney’s creative skills, unparalleled global portfolio of entertainment properties, and a business structure that maximizes the value of creative properties across multiple platforms and territories,” said Robert A. Iger, President and Chief Executive Officer of The Walt Disney Company. “Ike Perlmutter and his team have done an impressive job of nurturing these properties and have created significant value. We are pleased to bring this talent and these great assets to Disney.”

“We believe that adding Marvel to Disney’s unique portfolio of brands provides significant opportunities for long-term growth and value creation,” Iger said.

“Disney is the perfect home for Marvel’s fantastic library of characters given its proven ability to expand content creation and licensing businesses,” said Ike Perlmutter, Marvel’s Chief Executive Officer. “This is an unparalleled opportunity for Marvel to build upon its vibrant brand and character properties by accessing Disney’s tremendous global organization and infrastructure around the world.”

Under the deal, Disney will acquire ownership of Marvel including its more than 5,000 Marvel characters. Mr. Perlmutter will oversee the Marvel properties, and will work directly with Disney’s global lines of business to build and further integrate Marvel’s properties.

The Boards of Directors of Disney and Marvel have each approved the transaction, which is subject to clearance under the Hart-Scott-Rodino Antitrust Improvements Act, certain non-United States merger control regulations, effectiveness of a registration statement with respect to Disney shares issued in the transaction and other customary closing conditions. The agreement will require the approval of Marvel shareholders. Marvel was advised on the transaction by BofA Merrill Lynch.

Who writes these things?

UPDATE THE SECOND: Disney and Marvel had a conference call this morning, which I was unable to listen to because to my endless chagrin I have to work for a living. The call was apparently brief, but had a few interesting tidbits.

First, Iger assured everyone that Marvel would retain some level of independence akin to the Pixar deal. The intent, he says, is not to brand Marvel as a Disney product but to better shine a spotlight on Marvel itself. While this is good news, it remains to be seen how well that plan will be enacted. The less embarrassing, clunky attempts at “synergy” the better. Incredibles vs. X-Men on the Xbox, yes. Wolverine on The Suite Life, no.

For now, all current licensing deals will remain in place. This means that Sony will retain the Spider-Man film rights and Fox, unfortunately, will keep the X-Men and Fantastic Four. Paramount’s five-picture deal for the Avengers arc remains in place as well. Disney expects that these existing agreements will lead to an initial loss on the Marvel purchase, but thinks that the deal will pay off handsomely down the road. There seems to have been no mention about Marvel’s theme park licensing deal with Universal.

According to the call, John Lasseter has already been in contact with Marvel over the last few weeks about possible projects; he is allegedly very excited about the possibilities, and I’m not surprised. Combining the Marvel catalogue with the no-doubt comic friendly creatives at Disney and Pixar is bound to stir up some ideas. A Pixar-influenced Runaways or 1602? Yes, please.

Again, I can’t help but admit some level of sadness that Disney seems to reluctant or unable to create its own new intellectual properties these days. But while it would be nice to see some new ideas from Haus Maus, it’s hard to fault them for being drawn to Marvel. The purchase of thousands of possible film or television ideas in one fell swoop is nothing to scoff at. This is going to be big.

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Retroworlds – The Melvin The Moose Breakfast Show

Melvin the Moose Breakfast Show in Pioneer Hall

While character meals are now a huge cash cow for Disney, and getting reservations for lunch with Pooh and Princesses has become something of a bloodsport for harried parents, character breakfasts from days of yore were much fewer and far between. You could have a quiet breakfast with Mickey and company on the Empress Lilly, overlooking the misty and then-still waters of the Village Lake. Or, you could head to the Polynesian for Minnie’s Menehune Breakfast at the Papeete Bay Veranda (now known as ‘Ohana). While these were just simple breakfasts with character meet-n-greets, for a brief time in the late 1980s and early 1990s, visitors to Fort Wilderness could get a little more bang for their buck – breakfast with a show!

The Melvin the Moose Breakfast ShowThe Melvin the Moose Breakfast Show, with Dale, Cindy Lou, Alabam and Chip.

In 1986, the Melvin the Moose Breakfast Show debuted at Fort Wilderness’s Pioneer Hall. Originally sponsored by Fleetwood, the kid-friendly, early morning companion to the Hoop Dee Doo Musical Revue combined elements of other character meet-n-greets with a live stage show. In an esoteric bit of casting that seems bizarre in today’s franchise-friendly business environment, the show was hosted by Melvin the Moose – the stuffed, wall-mounted animal head from the Magic Kingdom’s Country Bear Jamboree. The seeming randomness of this idea, combined with the show’s out of the way location and its relatively brief run make the Melvin the Moose show seem like something one can hardly believe even existed.

But exist it did. Joining Melvin on the stage were those troublesome rodents Chip and Dale, and their human counterparts Cindy Lou and Alabam. Musical accompaniment was provided by “The Professor,” a ragtime pianist banging away on the ivories. Much like the Hoop Dee Doo, the show had a definite country & western feel; Chip and Dale dressed in “cowboy chef” garb while Cindy Lou and Alabam wore, respectively, a gingham dress and overalls.

The Melvin the Moose Breakfast ShowThe cast starts the show with a musical number

The breakfast had two shows a day – at 8:30 and 10 a.m. After being seated, guests started their breakfast with waiting baskets of chocolate chip muffins – the true breakout stars of the show. Melvin the Moose was the first place that I was ever exposed to the chocolate chip muffin concept, and in 1986 it seemed such an insanely hedonistic concept the likes of which only Disney could conceive. Also waiting were glasses of orange juice and decanters of coffee, bowls of citrus fruit compote and baskets of granola bars with honey-peanut butter dip.

Ad for Melvin the Moose Breakfast ShowAfter Cindy Lou, Alabam and their chipmunk friends arrived, they performed an opening song and dance number before letting guests tuck into their breakfasts. Much like the Hoop Dee Doo show, guests were served at their tables with pewter bowls and plates full of food. The menu usually consisted of scrambled eggs and bacon, hash browns, biscuits and sausage gravy. While guests ate, they enjoyed a few classic Chip and Dale cartoons which were projected on the stage. After some more shenanigans with Melvin and pals, Cindy Lou and Alabam led the guests in the show’s grand finale.

A Fort Wilderness kazoo from Melvin the Moose's Breakfast ShowA Fort Wilderness kazoo from the Melvin the Moose Breakfast Show

Much like the Hoop Dee Doo’s raucous washboard finale, the breakfast show ended musically. Kazoos were delivered to the tables so that all guests could be led in the “Kuntry Ka-zoo Simfony” (no, seriously); the added bonus was that guests were allowed to keep their kazoos. They were nice kazoos, too! Sturdy, good sound, and mine’s still holding up nicely more than twenty years on.

Flier for Chip & Dales Country Morning Jamboree   Flier for Chip & Dales Country Morning Jamboree

Ad for Chip & Dale's Country Morning JamboreePerhaps feeling that the breakfast show was lacking a marquee name, Disney changed the show’s title in 1987 to “Chip & Dale’s Country Morning Jamboree featuring Melvin the Moose.” The concept was essentially the same, but one assumes that Chip & Dale were considered a better draw for families. I can’t find any reference online to whether the show’s content changed considerably between versions, or whether the Country Bear meet-n-greet characters from the original show remained for the later revision. Note the price of the show – $10 for adults and $8 for children under 12. Later, in 1989, the price jumped to a shocking $12 for adults and $9 for kids. Appalling. The seating time for the second show was changed as well, from 10 a.m. to 9:45. Somewhere along the line Fleetwood dropped their sponsorship; compare the flier above with this one. Also note the earlier flier just mentions a “pastry basket”; they had yet to realize what an asset they had in those chocolate chip muffins.

The show ran at Pioneer Hall until 1991; one assumes that families intent on laying siege to the parks the second their gates opened didn’t have time for a long, pleasant breakfast in the relaxed atmosphere of Fort Wilderness. While the Trail’s End Buffeteria still serves a fairly nifty breakfast next door to Pioneer Hall, it’s just not the same without Melvin, Cindy Lou and Alabam. Maybe it’s time for a revival?

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Some Weekend Viewing…

Much to my excitement, I’ve just discovered that Martin Smith has set up his own site to present his now-famous park tribute videos. His latest magnum opus is an 85-minute tribute to Walt Disney World’s Pirates of the Caribbean, Big Thunder Mountain Railroad, and their unrealized sister project Thunder Mesa. Check it out!

UPDATE: Foxx is getting into the video business too! Enjoy some EPCOT atmosphere

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Whoawhoawhoa…

It’s just come to my attention that a lot of the images I’ve posted lately look absolutely awful on CRT monitors. I have no idea why this is, but I’m going to investigate. I assure you they look nice and shiny on LCD screens, but I hadn’t thought to check on an old-school monitor. So for those of you with CRTs, I just wanted you to know I haven’t gone insane or developed some sort of visual issue…

UPDATE: Well, it seems like they look fine on other CRT monitors. Since I don’t really know what the deal is, I’ll just leave them as-is. If your own particular monitor is searing out your retinas, let me know and I’ll keep working on it…

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