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D23rd Nervous Breakdown

D23 Expo

At a time tomorrow morning that can only be described as “stupid o’clock”, I’ll be jetting out of dear old Raleigh-Durham for the west coast and the D23 Expo-fest Conventioncon-o-rama. When Disney first announced D23, I was cautiously optimistic; fans have really been burned time and again by Disney in recent years, and it was impossible to know which way this new enterprise would go. Thankfully, they seem to have the right people in charge of the operation and the company has committed to providing some real value to members. I didn’t expect, though, just how big their inaugural fan expo would be.

D23 Expo Schedule Page 1
D23 Expo Schedule Page 2

Good lord. I had assumed that the schedule of the Expo would be filled with some items of real interest, and a lot of fluff of the Jonas Brothers or pin trading variety which I could skip. Not so. Aside from the keynote speeches from luminaries such as Disney CEO Bob Iger, Pixar head John Lasseter or – shudder – parks chief Jay Rasulo, there are a heap of small presentations, panels and screenings of interest. The company’s major business units will all be represented in individual pavilions, from Parks & Resorts to the Disney Studios to ABC to Consumer Products. The Disney Archives will have an exhibit of significant artifacts on hand; they’re also selling a snazzy catalog of the “Treasures of the Walt Disney Archives.” You can find the entire schedule at the D23 site, where you can also download the official guidebook to the Expo.

The Disney Legends awards ceremony will take place on the first day of the Expo and there will no doubt be other Disney luminaries in attendance – Tommy Kirk will be there! But what about Moochie?!

It’s been really difficult, though, to figure out my schedule. I think that the D23 folks, although they’ve done a great job overall in setting this thing up, made some critical mistakes with scheduling conflicts. The first day of the Expo sees a half-hour conflict between Disney Records producer (and sooper-genius) Randy Thornton’s bound-to-be brilliant panel about the music of the Haunted Mansion and the unmissable “Afternoon with Imagineering Legends”. How to choose? Of course the difficulty is compounded by not knowing how much queuing will be required for these events, or how overwhelming the crowds will be.

Other key conflicts: Andreas Deja’s panel on Mickey Mouse overlaps with the unmissable panel on Disney theme park music with also overlaps with the critically awesome TRON presentation. Grr. How to choose between Don Hahn and Imagineers? Between The Princess and the Frog and The Hall of Presidents? Between Prep and Landing and Lost Chords? Between the Muppets and “The Science of Imagineering”? Good lord.

Anyway, I’ll figure it out. And using only the power of caffeine and my own moxie. I’ll also – shudder again – be Twittering throughout.

Hopefully it’ll be a good show and we’ll get some concrete news on forthcoming projects for the parks. I have also (somehow) been press credentialed, so if any of you readers work for Disney and would like to talk on or off the record about anything or just chat, drop me an email and let me know.

Is anyone else going to this? I’ll see you there…

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The Carousel Broke Down…

Those of you who have been around a while might remember the cell phone video that I posted in April of the vaguely terrifying effect that recent negligence has had on the Carousel of Progress. Father dearest seems to wobble drunkenly in his chair, head lolling about, and his artificial skin is riding so far up his neck it seems that he has some painful glandular issue.

Well, I finally got around to digitizing the longer video that I filmed afterward and I’ve uploaded it to the Progress City YouTube page. Behold:

Time for a rehab, ya think?

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Neverworlds – EPCOT’s India Pavilion

This trip to the misty moors of Never Never World is less entertaining than most, as it lacks that most important element of any good story about unbuilt attractions – pictures! Unlike many of our other stories, too, this is not a project that Disney had committed to building or negotiations that they initiated themselves. Still, it’s an interesting and poorly known event in EPCOT’s history and certainly caught my eye.

After Walt Disney Productions announced the World Showcase project in 1974, they approached dozens of nations about participating in the new development. Over the years, though, this recruitment proved difficult. The 1970s weren’t a time of economic prosperity for anyone, and it was difficult to convince politicians to part with millions of dollars for theme park attractions when they had to worry about their next election. When the EPCOT Center concept was re-announced in 1978, with a combined Future World and World Showcase, Disney abandoned attempts to recruit governmental participation. Instead, they selected a short list of desirable nations and focused on approaching corporations in those countries who were used to spending money for advertising purposes.

This approach allowed Disney to recoup some of the costs of building the international pavilions, which weren’t able to profit from the deep pockets of American industry like the Future World attractions, and it allowed EPCOT to feature some key nations whose governments hadn’t been willing to participate. Unfortunately, it also limited the scope of the pavilions to what could be supported by willing sponsor companies; this generally meant the elimination of intended ride attractions in favor of shops and restaurants. It also meant that nations without willing companies, like Spain, were left for later; the long-planned Equatoral Africa showcase was abandoned because the only companies Disney could find to sponsor the pavilion were located in apartheid-era South Africa.

After Phase I of World Showcase had been built, later additions were supposed to have been funded by the nations themselves. This can be seen by the Moroccan government funding their national pavilion, but the scheme was obviously abandoned as Norwegian corporations helped support that pavilion’s construction in 1988; no other pavilions have been added to the park since.

We know the most prominent failed attempts to build pavilions afterwards; the 1990s saw talks break down with the Russians and the Swiss, and there was another botched attempt to bring Spain to EPCOT earlier in this decade. These were Disney-initiated talks, as far as I can tell; the only public attempt that I can recall of an outside party trying to solicit participation was also in this decade, when Korean businessmen spoke to the press about trying to interest Disney in a South Korea pavilion.

Then there’s this story, which dates all the way back to 1986. Back then, when Disney was still in the business of adding to World Showcase, there were serious attempts by the Indian government to secure their own place in EPCOT.

INDIA APPROACHES DISNEY ABOUT EPCOT PAVILION
THE ORLANDO SENTINEL – Thursday, December 18, 1986
By John Hill of The Sentinel Staff

Representatives of Walt Disney World and the government of India will meet Friday to discuss the possibility of that country opening a pavilion at Walt Disney World’s Epcot Center, both groups said Wednesday.

But the spokesmen cautioned that the discussions are preliminary and that no agreement is likely soon.

”We have been working at it for quite some time,” said Vijay Kumar, political officer at the Indian Embassy in Washington. ”We have been in touch with Epcot , but it is still in the very basic stages.”

P.K. Kaul, India ‘s ambassador to the United States, will meet with Disney officials Friday, Kumar said. Kaul could not be reached for comment.

Kumar said the Indian government has no specific plans for a pavilion but wants to find out what Disney would require if one were built.

Bob Mervine, a Disney spokesman, said the company gets inquiries from foreign governments and developers ”regularly” about building new pavilions in Epcot ‘s World Showcase. While the company is satisfied with the 10 pavilions it has now, he said, there is room for seven or eight more.

”At this point we are basically reacting to queries that are coming to us,” Mervine said.

Any addition would have to complement the existing pavilions in the Epcot complex, Mervine said. It would have to be an entertaining exhibit in itself, he said, and would have to provide its own financing.

The 10 existing pavilions at the Epcot complex represent Canada, the United Kingdom, France, Japan, Morocco, the United States, Germany, Italy, China and Mexico. An eleventh pavilion, for Norway, is under construction.

Mervine said Disney has heard suggestions for pavilions featuring Africa, Spain, Israel and Soviet Union but has no plans now to build any of those.

As I mentioned, Disney would later take second looks at adding both Spain and Russia to their roster; India, though, hasn’t been mentioned publicly since. I’m sure that the original plans for EPCOT in the early 1970s involved some discussion with India, and it’s possible that some design work was done at that time, but aside from this article the participation of India really wasn’t mentioned after the final official pavilion lineup was announced in 1978. Personally, I think this is a shame. India is a nation rich with history, art, architecture and folklore. And really quite wonderful food. There would be a wealth of material from with to draw; more than a single pavilion could hold. While India now gets some slight representation in the Animal Kingdom, that has more to do with architecture and animals than with the culture itself.

India is one of the world’s largest nations, and has become a burgeoning economic engine in recent years; it’s a market, in fact, that Disney has doggedly attempted to penetrate. Perhaps, in all these megamillion-dollar deals for film distribution, merchandising and television outlets, a case could be made for a pavilion at EPCOT?

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All New! Hoop Dee Doo!

Brochure for Pioneer Hall, 1974Brochure for Pioneer Hall, 1974

Since we’ve been hanging out at Fort Wilderness so much lately, it’s only right that I post this flier from 1974. Pioneer Hall had just opened as a dining venue for campground guests; as the flier mentions, it had breakfast, lunch and dinner buffets as well as a snack bar. Most importantly, though, it had the Hoop Dee Doo Musical Revue that debuted that same year.

Note that in this flier, the new show was still known as the “Pioneer Hall Show”. Also note – brace yourselves – that the price for an adult ticket was $11. $11! Holy smokes. I blame stagflation. And malaise.

D23 has an interesting article on the origins of the show; who knew so many Pioneer Hall vets went on to positions of prominence in the Disney company?

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Maps! Euro Disneyland Paris, 1994

Map of Euro Disneyland Paris, 1994Euro Disneyland Paris, 1994

This isn’t an official park map; it’s from a booklet that Disney distributed at Walt Disney World to promote the Euro Disney Resort to American guests. It shows the park as it was in 1994, which is remarkably similar to how it is today. There were still some small attractions to be added as park of the capacity expansion program that occurred during the 1990s, but a lot of the major attractions intended for future expansions have yet to appear. One major missing element is Space Mountain, which would be added the next year and which would be credited with pulling the resort out of its financial doldrums.

I was actually saving this image at first for a story I was planning about how the poor Tomorrowlands have always received short shrift in every new Disney park since Disneyland’s 1955 opening. In any early map of any Disney park, Tomorrowland just looks so sad and pathetic. Look!

Euro Disneyland's Tomorrowland, 1994So many trees!

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