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Walt Disney Productions 1983 Annual Report

It’s pre-Spring cleaning time, and that means new goodies at the Centorium. More to come soon…

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Meanwhile, On Scenic Bay Lake…

With all the stress of the modern world, why not instead take a trip to our happy place?

Now this is what I call a Vacation Kingdom:

Wow. Just try getting that song out of your head. I guarantee that for the rest of your life when you heard someone mention River Country you’ll say “it’s a whoop, it’s a holler!” Just try not to.

Oh, poor River Country. How much fun it looks! Even with all the upsetting 70s batch. Also, how jarring is it to see these old promotional films where they show normal people instead of actors from micro-targeted demographics?

Whoop! Holler!

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Walt Disney And The Winter Olympics

With the arrival of the 2010 Winter Olympics, it might occur to Disney fans to look back to 1960 – to the VIII Olympic Winter Games in Squaw Valley, California. In their drive to make those Olympics memorable, the organizing committee looked to the greatest showman of the age – Walt Disney. Walt was named the Chairman of Pageantry for the Games, and went to work crafting plans for the Opening and Closing Ceremonies.

Walt and his team were heavily involved in the planning of the Squaw Valley Olympics; the site for the Games was so remote that it was the first Olympics ever to lodge athletes in an Olympic Village. Disney and his friends like Art Linkletter made sure there was a constant stream of entertainment and entertainers on hand to stage nightly productions for the athletes. Disney’s artists also contributed, with John Hench designing a series of snow sculptures for the venue and even the Olympic torch itself.

Walt Disney and his team for the VIII Olympic Winter Games“Dr. Charles Hirt (second from far right) was among the team Walt assembled to create the opening ceremonies for the VIII Winter Olympics in 1960.”

But, as with these type of events, not everything went smoothly. We can see this now in Vancouver, where warm temperatures and poor snowfall have led to the postponement of several key competitions. In Squaw Valley they had the opposite problem, as we can see in this 1993 Disney News article by Scott Richter:

Dr. Charles Hirt: The Miracle at Squaw Valley

by Scott Richter

February 18, 1960, is a day that renowned choir director Dr. Charles Hirt will never forget. The opening day ceremonies of the VIII Winter Olympics in Squaw Valley, California, were to be held that day. Nearly two years earlier, Walt Disney had accepted the post of Pageantry Committee Chairman and had named Dr. Hirt as the program’s choir director.

On the morning of the 18th, Dr. Hirt was sleeping soundly at Walt Disney’s private chalet in Squaw Valley when he was awakened by Walt and his other houseguest, Art Linkletter.

Hirt recalls that “Walt and Art told me that it had started to snow even though it had been predicted that it would not. There was a real blizzard out there.”‘

In fact, Mother Nature seemed intent on cancelling the opening day ceremonies, wasting months of meticulous preparation in the process. Between 6 a.m. and 1:45 p.m., Squaw Valley was pounded by freezing winds and buried under 10 inches of snow.

Later that day at rehearsal, Dr. Hirt says that “I stood up there (at the podium) facing what I thought was the choir – and I hoped and prayed it was, because I couldn’t see them, the snow was falling so hard. Clarence Sawhill (the band director) relayed my beat to the band because he couldn’t see the choir either.

“Walt Disney and the rest of us got together,” he continues, “and we all said ‘What in the world are we going to do if we can’t see the choir and the choir can’t see us?’ The alternative was to assemble on a skating rink where we would only be able to select a few choirs and a few bands which would fit in there.

“Walt turned to me and said, ‘What do you think we should do?’ I told him that I couldn’t stand the thought of saying to these people who had worked so hard for so many months that only some of them could be among the bands and choruses in the skating rink.”

Walt Disney's chalet at Squaw ValleyThe chalet built for Walt at Squaw Valley.

Some 3,700 high school musicians and choir members had spent many tireless hours rehearsing for the program, and had then traveled from 52 California and Nevada schools to brave the arctic-like conditions. All for the privilege of performing at the Opening Ceremonies for the Olympics.

On the other hand, the eyes of the world were on Squaw Valley, and network television officials were concerned that they would have no opening ceremonies at all for their worldwide broadcast.

Hirt recalls that “the TV people said ‘We’ve got to play it safe. We can’t take a chance on this.'”

Nevertheless, Hirt remembers that “they turned to Walt and said, ‘It’s up to you.’ And he turned to me and said, ‘Charles, I’ll go with whatever you say.’ I told him, ‘Walt, I can’t say to select a few and play it safe. Let’s dare to have everybody in this.’ That’s all Walt needed to hear. Over the loudspeaker we told everyone to go into formation.

“The clock ticked down to showtime,” Hirt recalls, “and at that moment, the sky parted and the sun shone. It was a miracle. My choir was in front of me. I could see them. Clarence could see his band, and he could see me. And the program went off without a hitch.

“Then, just at the very close of the final Olympic hymn, the sky covered up again and the blizzard resumed.”

Dr. Hirt says that “to be a part of that ‘Miracle of Squaw Valley’ with Walt was a very special honor,” and one of the highlights of his career.

“Walt was such a marvelous person … he was so highly respected and loved by the people who knew him. I got to know him well when I stayed with him at his (Squaw Valley) chalet.”

Although retired now, Dr. Hirt still enjoys visiting Disneyland where he created and led the Christmas Candlelight Procession Ceremony for 25 years.

“Disneyland is still Walt,” says Hirt. “His spirit is still there.”

Walt’s interest in winter sports didn’t end in 1960, though. He spent much of the next decade commissioning a series of studies and plans for ski resorts in the American west, most famously at Mineral King in California. Much later, Card Walker, who had been on Walt’s team for the 1960 games, led Disney as it created the mascot for the 1984 Los Angeles Summer Olympics and assisted with the opening and closing ceremonies for those games.

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Mama Said There’d Be Days Like This…

Well, I didn’t intend for this week to become the animation apocalypse, but something seems to really be poking the hornets’ nest in Burbank and Emeryville. Snow Queen is back on the shelf, newt is dead, Rapunzel has been ridiculously rebranded as Tangled, and King of the Elves is either in turnaround or abandoned depending on who you talk to.

Then there are the more insidious whispers. Whispers that the Walt Disney Animation Studios will be severely downsized, going to a model similar to the one that has occasionally been pushed on Imagineering – that of a small, centralized core of managers and key creatives still working at Disney, with the production work farmed out to contractors. When Michael Eisner arrived at Disney in 1984, Jeff Katzenberg and Frank Wells originally wanted to go to this television model; if TV animation could be completed so cheaply in Korea or China, why couldn’t this be used for expensive theatrical animation too? Thankfully, Roy Disney and others were able to appeal to Eisner’s desire for prestige and keep animation at the Disney Studios, but who knows what the future holds.

But wait, there’s more – lots of rumbles of internecine squabbling at Pixar, possible troubles with Cars 2, the studio’s noticeable new reliance on sequels, and then today I hear the following words for the first time:

Toy Story 4.

Whenever I’m at some Disney event handing out my silly little business cards to people in Imagineering or Animation, I often tell them, “Feel free to read and yell at me when I get it wrong.” I don’t expect them to be ringing me up and giving me the top-secret scoop on their new projects; I’m hoping, instead, that they’ll set me straight when I’ve really messed up. Because despite what some might think, I do not relish disseminating bad news. I’ve had no happier day in reporting on animation than when Disney and Pixar released their very ambitious production slate in 2008. And while I’ve been talking about these recent rumors and events, no one hopes more than I that I’m completely wrong.

Just keep your eyes open and your ears to the ground, in the off chance that I’m unfortunately not wrong about this. Hopefully the suits are just in panic mode right now, and things will level off like they usually do. We’ve been on the cusp of disaster before only to be pulled out of the fire, so this could just the cycle of executive indecision at work. I’ll bet that if Rapunzel is a hit, the suits will be shoving each other out of the way to see who can take the most credit for it.

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And Yeah,

I know that I stumbled upon this possibility last December, but I didn’t think they’d be absurd enough to do it. It’s late-era Eisner all over again. Sure, the title doesn’t matter if the film has the goods on screen, but I had hoped the era of Disney running away from its own shadow was over. This is shenanigans. Shenanigans, I tell you!

The problem isn’t even the name, as silly as Tangled is. It’s what the name represents – confusion, fear, lack of confidence and creative cowardice.

What’s doubly ironic about their attempts to take the focus off of Rapunzel and emphasize the male lead is that almost the entirety of Lasseter’s presentation about this film last September was about how Rapunzel would be such a kick-ass heroine with her hair-wielding ninja skillz. So I guess we’ll have to adjust to a completely new set of buzzwords. Rapunzel who?

Dear Disney animators: I’m so sorry that your hard work is being dorked around with by a bunch of lunatics. Know that there are a few of us naive simpletons out here who still think what you do is art, not product for the marketing gristmill. The film looks lovely.

Dear Disney executives: It’s hard to sell people on your product when you don’t understand, respect, or enjoy the thing you’re trying to sell. Or, as the kids say, UR DOING IT WRONG.

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