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Animation Updates…

So what’s up at Disney and Pixar, and what are Ron and John working on?

It’s been a while since I’ve done any significant animation coverage because, truthfully, I was tired of chasing rumors. After all, how could I figure out what Disney’s Feature Animation department was up to if they didn’t know themselves? And, judging from their behavior, there’s little indication that they have a plan at the moment. Many of the ambitious pronouncements from just a few years ago seem to have fallen by the wayside, and promises of an active and prolific shorts department and a full slate of traditional animation have turned into vaporware. Everything seems up in the air at this point; we’ve seen projects canceled and revived and postponed time and again, and there’s very little on the publicly-announced Disney animation slate after next year.

Animation is very different from live-action filmmaking; you can’t just up and crank out a major animated film in a year or two. If the Walt Disney Animation Studios plan on having any more traditional animation after Winnie the Pooh next year, it’s time to get moving. I have no idea what’s happening inside the studio, or why things have ossified. But it seems to me that John “Mr. ‘Creator-Driven Projects'” Lasseter needs to allow some creators to drive their own projects in Burbank. But I digress.

The biggest hit out of Disney’s animation studio in recent years was last year’s Prep and Landing. The Christmas-themed television special, the first made-for-TV animation from Disney’s feature division, was expected to be the first entry in a new holiday franchise. True to expectations, Disney has announced that elves Lanny (Derek Richardson) and Wayne (Dave Foley) will return in two new specials in 2010 and 2011.

First to arrive will be the 7-minute “stocking stuffer” short Operation: Secret Santa, airing this December on ABC. Directed by Stevie Wermers-Skelton & Kevin Deters and produced by Dorothy McKim, the short will feature the now-ubiquitous Betty White as the voice of Mrs. Claus. According to the Disney press release, the short will see Lanny and Wayne recruited by Mrs. Claus and Magee (Sarah Chalke) to embark on a secret mission to retrieve a mysterious item hidden deep within the office of Santa Claus. With Christmas imminent, the elves must acquire the target while avoiding detection by Santa and the threat of placement on the Naughty List.

In 2011, the elves will return in another full-length half hour special, Prep & Landing: Naughty Vs. Nice. This time, Lanny and Wayne must track down classified North Pole technology that has been stolen by a computer-hacking “Naughty Kid”. To capture the perpetrator, the elves must consult the North Pole’s foremost Naughty Kid expert, a “bombastic” member of the Coal Bucket Brigade – Wayne’s estranged brother Noel.

Tick Tock Tale

There has at last been a little activity in the Disney shorts department; Dean Wellins’s Tick Tock Tale has had several screenings recently, including at the Annecy film festival. There’s even a brief preview of the short at Disney’s animation website. It’s unknown whether the short will actually appear in front of Tangled next month, or if it will disappear into the aether like Glago’s Guest.

Meanwhile, in Pixar towne…

The big news a couple of weeks ago was that director Brenda Chapman had been removed from Brave (formerly The Bear and the Bow), a project that she initiated. Chapman was replaced on the project by Mark Andrews, who directed the 2005 short One Man Band.

This is noteworthy not only because it’s yet another directorial shuffle at Pixar, but also because of all the ballyhoo in recent years about Chapman’s role as the first female director at Pixar. Brave was to feature the first female protagonist in a Pixar film. It’s also worth nothing that it’s the only film currently on Pixar’s slate that is not a sequel.

Speaking of sequels, you might remember that John Lasseter has taken over the director’s seat of Cars 2 from Brad Lewis, who is currently billed as co-director. The 2011 release recently received a teaser trailer, which can be seen below:

Yeah, I know.

As was revealed last year, the film will center on an international race which takes the first film’s characters to Paris, London, Tokyo and the Italian countryside. While Lightning McQueen takes part in the World Grand Prix, his hillbilly friend Mater gets involved with a Bond-esque web of espionage and intrigue. Michael Giacchino will score the film.




The real thing Disney animation fans have been wondering, though, is what’s next? Pixar has Cars 2, Brave, and Monsters, Inc. 2 in the pipeline. Disney has Tangled next month and then Winnie the Pooh in 2011; Reboot Ralph will allegedly appear in 2013 and there’s still a possibility that King of the Elves might re-emerge. We know that there are some projects, at least, waiting to be greenlit, but what are they? And when will we see more traditional animation?

Animation gossips have claimed for a while now that directors Ron Clements and John Musker were at work preparing a new traditionally animated project to pitch. I’ve started hearing rumors that are truly unexpected – that the project they’re boarding is an adaptation of Terry Pratchett’s 1987 novel Mort. The book is the fourth in Pratchett’s beloved Discworld series of comedic fantasies, and follows a young man looking for a job who gets an apprenticeship working for Death.

Is this really what Ron & John are working on? We shall see. Consider it rumor for now. But if so I know a lot of people who will be pleasantly surprised.

UPDATE

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MAKE IT STOP

One of the more amusing yet tragic moments of the recent Destination D event in California came after a presentation of Disneyland history which featured video clips of television specials and park events of years past. Many of these pieces of history were definitely “of an era,” often embarrassingly so. One thing has become clear, the moderators said, and that is that Disneyland never did well when it tried to follow trends and be “hip.” Disneyland was Disneyland, after all, and the park and its characters always did best when they were true to themselves. Any attempt to the contrary would soon prove dated and almost inevitably embarrassing.

Then, they introduced the Disney Dance Crew.

BLAM!

In perhaps some sort of cosmic karmic redress to make up for Walt Disney World being afflicted ever so briefly by Stitch’s Supersonic Celebration, the Disney Dance Crew has arrived in the Hollywood Pictures Backlot area of California Adventure. It’s ironic that Disney is making a major push lately to rehabilitate Mickey’s image with the upcoming Epic Mickey game, while they simultaneously invest more than a billion dollars to salvage California Adventure. Yet they turn around and saddle us with this show, which manages to defame both the character and the park all in one fell swoop.

BLIGGITY BLAM!

Rather than me just going on at length, why don’t you see for yourself? If, like me, you can’t make it through the full thing, I recommend you check in at 3:50, when Mickey shows up (featuring acting!), and 7:25 when we’re treated to a rather inconceivable adaptation of Yo Ho (A Pirate’s Life For Me). Lest you think your ears deceive you, the line does indeed say “Drink up me gangstas, yo ho!” No, seriously.

As is typical with this sort of thing, I feel bad for the entertainment Cast Members who are signed up to perform this material. I would imagine it takes some amount of skill to dance around like that in a full Mickey costume, and it seems a shame to waste it (and the still very cool animated face costume) on this car wreck of a show.

And as for that show… well, there really are no words are there? At least none that wouldn’t get me blacklisted by parental filtering software.

My only fervent hope is that the long line of executives who thought up, signed off on, and approved this show are visited this Halloween season by a wraith-like reventant Ub Iwerks to make them pay for their crimes against good taste.

BLAAAAM!

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Visualizing Rapunzel

Disney animation story supervisor Paul Briggs has posted a couple of wonderful visual development pieces for Rapunzel (aka Tangled) at his blog. Visual development artwork is typically my favorite element of animation production, and these evocative renderings by Disney artist Kevin Nelson do not disappoint.


Check out Briggs’s site for more of his artwork and some story sketches from the upcoming Tangled.

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Derezzed

Speaking of TRON: Legacy

Disney has released a brief video clip featuring a taste of the film’s score by French electronica duo Daft Punk. I’m still kind of irritated that Wendy Carlos isn’t involved, but I have to say that Daft Punk proved a logical selection. The piece, Derezzed, is accompanied in this video by several scenes from the film. Take a look:

While I am indeed looking forward to this film in all its geeky, Tron-y, Jeff Bridges-y glory, I have to say that it almost looks too “normal” compared to the original film. It doesn’t have quite the same washed-out, otherworldly, liquid neon feel and too often the characters look like “regular” humans in (admittedly awesome) costumes. Where are the weird glowing leotards and hockey helmets? The faceless sentinels with the stun rods? The pools of liquid energy and, of course, Bit?

Don’t get me wrong – I’m over the moon about this and it looks totally insane, but I’d still love to see some real aesthetic links to the 1982 film. Maybe they’ll make us old nerds happy with a few scenes set in the “old server.” Give me that, the original TRON theme, and a remake of the CGI scene that was shown in the World of Motion speedroom at EPCOT and I’ll be good to go.

TRON: Legacy arrives soon… December 17th, 2010.

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Sneak Peak: The Winter Of twenty-three

Disney has released a sneak peek at the winter issue of Disney twenty-three, which streets on November 1st. The cover story is a nine-page look at TRON: Legacy, which arrives in theaters in December, featuring interviews with Director Joseph Kosinski, Producer Sean Bailey, and actors Bruce Boxleitner and Garrett Hedlund. Steven Lisberger, creator of the original film, speaks of the sequel in this quote which I include due to its rather hilarious truth: “The reason it took the 25 to 28 years is because we needed the ten-year-olds to grow up and be powerful enough to make this movie so that they could take their ten-year-old sons to see it.”

The issue also includes a look at Disney’s new Aulani resort in Hawaii and a retrospective of Disney Chief Archivist Dave Smith’s career as he prepares to retire. For those of us interested in capital-D Disney, there’s a look at the Holiday Season in the Disney house through the eyes of Walt and his family, as well as a story concerning some newly-discovered footage of Walt’s last filmed appearance on the studio soundstages.

Other features listed include:

  • THE ULTIMATE DESTINATION: Highlights of D23 Members spending an amazing couple of days at Destination D: Disneyland ’55, a fun-filled celebration of The Happiest Place on Earth.
  • PERFECT TIMING: The time is just right for Walt Disney Animation Studios’ Dean Wellins as he makes his directorial debut and prepares to release his charming animated short, Tick Tock Tale.
  • LIONS AND TIGERS AND…SANTA? OH MY! The Mickey Mouse Club Circus, one of the wildest shows in Disneyland history, dazzled crowds for six memorable weeks during the 1955 holiday season.
  • SMALL-SCREEN ADVENTURES: Walt Disney Television Animation celebrates 25 years of groundbreaking creativity.
  • 23 QUESTIONS WITH… Imagineer, celebrated costume designer, and Disney Legend Alice Davis.
  • A WALK WITH WALT 1938: DREAMING THE FUTURE: The success of Snow White and the Seven Dwarfs went far beyond the silver screen.
  • D SOCIETY: George Lucas strikes back, Destination D: Disneyland ’55 has arrived, and D23 Members are smack dab in the middle of D23’s Great Disney Scavenger Hunt at the Disneyland Resort.

The latest issue of Disney twenty-three arrives on November 1st in certain retail locations, including Barnes & Noble booksellers. D23 members will receive their issue with a member-exclusive cover, as well as a TRON: Legacy gift. I’m hoping for my own personal Recognizer.

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