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MAKE IT STOP

One of the more amusing yet tragic moments of the recent Destination D event in California came after a presentation of Disneyland history which featured video clips of television specials and park events of years past. Many of these pieces of history were definitely “of an era,” often embarrassingly so. One thing has become clear, the moderators said, and that is that Disneyland never did well when it tried to follow trends and be “hip.” Disneyland was Disneyland, after all, and the park and its characters always did best when they were true to themselves. Any attempt to the contrary would soon prove dated and almost inevitably embarrassing.

Then, they introduced the Disney Dance Crew.

BLAM!

In perhaps some sort of cosmic karmic redress to make up for Walt Disney World being afflicted ever so briefly by Stitch’s Supersonic Celebration, the Disney Dance Crew has arrived in the Hollywood Pictures Backlot area of California Adventure. It’s ironic that Disney is making a major push lately to rehabilitate Mickey’s image with the upcoming Epic Mickey game, while they simultaneously invest more than a billion dollars to salvage California Adventure. Yet they turn around and saddle us with this show, which manages to defame both the character and the park all in one fell swoop.

BLIGGITY BLAM!

Rather than me just going on at length, why don’t you see for yourself? If, like me, you can’t make it through the full thing, I recommend you check in at 3:50, when Mickey shows up (featuring acting!), and 7:25 when we’re treated to a rather inconceivable adaptation of Yo Ho (A Pirate’s Life For Me). Lest you think your ears deceive you, the line does indeed say “Drink up me gangstas, yo ho!” No, seriously.

As is typical with this sort of thing, I feel bad for the entertainment Cast Members who are signed up to perform this material. I would imagine it takes some amount of skill to dance around like that in a full Mickey costume, and it seems a shame to waste it (and the still very cool animated face costume) on this car wreck of a show.

And as for that show… well, there really are no words are there? At least none that wouldn’t get me blacklisted by parental filtering software.

My only fervent hope is that the long line of executives who thought up, signed off on, and approved this show are visited this Halloween season by a wraith-like reventant Ub Iwerks to make them pay for their crimes against good taste.

BLAAAAM!

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Visualizing Rapunzel

Disney animation story supervisor Paul Briggs has posted a couple of wonderful visual development pieces for Rapunzel (aka Tangled) at his blog. Visual development artwork is typically my favorite element of animation production, and these evocative renderings by Disney artist Kevin Nelson do not disappoint.


Check out Briggs’s site for more of his artwork and some story sketches from the upcoming Tangled.

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Derezzed

Speaking of TRON: Legacy

Disney has released a brief video clip featuring a taste of the film’s score by French electronica duo Daft Punk. I’m still kind of irritated that Wendy Carlos isn’t involved, but I have to say that Daft Punk proved a logical selection. The piece, Derezzed, is accompanied in this video by several scenes from the film. Take a look:

While I am indeed looking forward to this film in all its geeky, Tron-y, Jeff Bridges-y glory, I have to say that it almost looks too “normal” compared to the original film. It doesn’t have quite the same washed-out, otherworldly, liquid neon feel and too often the characters look like “regular” humans in (admittedly awesome) costumes. Where are the weird glowing leotards and hockey helmets? The faceless sentinels with the stun rods? The pools of liquid energy and, of course, Bit?

Don’t get me wrong – I’m over the moon about this and it looks totally insane, but I’d still love to see some real aesthetic links to the 1982 film. Maybe they’ll make us old nerds happy with a few scenes set in the “old server.” Give me that, the original TRON theme, and a remake of the CGI scene that was shown in the World of Motion speedroom at EPCOT and I’ll be good to go.

TRON: Legacy arrives soon… December 17th, 2010.

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Sneak Peak: The Winter Of twenty-three

Disney has released a sneak peek at the winter issue of Disney twenty-three, which streets on November 1st. The cover story is a nine-page look at TRON: Legacy, which arrives in theaters in December, featuring interviews with Director Joseph Kosinski, Producer Sean Bailey, and actors Bruce Boxleitner and Garrett Hedlund. Steven Lisberger, creator of the original film, speaks of the sequel in this quote which I include due to its rather hilarious truth: “The reason it took the 25 to 28 years is because we needed the ten-year-olds to grow up and be powerful enough to make this movie so that they could take their ten-year-old sons to see it.”

The issue also includes a look at Disney’s new Aulani resort in Hawaii and a retrospective of Disney Chief Archivist Dave Smith’s career as he prepares to retire. For those of us interested in capital-D Disney, there’s a look at the Holiday Season in the Disney house through the eyes of Walt and his family, as well as a story concerning some newly-discovered footage of Walt’s last filmed appearance on the studio soundstages.

Other features listed include:

  • THE ULTIMATE DESTINATION: Highlights of D23 Members spending an amazing couple of days at Destination D: Disneyland ’55, a fun-filled celebration of The Happiest Place on Earth.
  • PERFECT TIMING: The time is just right for Walt Disney Animation Studios’ Dean Wellins as he makes his directorial debut and prepares to release his charming animated short, Tick Tock Tale.
  • LIONS AND TIGERS AND…SANTA? OH MY! The Mickey Mouse Club Circus, one of the wildest shows in Disneyland history, dazzled crowds for six memorable weeks during the 1955 holiday season.
  • SMALL-SCREEN ADVENTURES: Walt Disney Television Animation celebrates 25 years of groundbreaking creativity.
  • 23 QUESTIONS WITH… Imagineer, celebrated costume designer, and Disney Legend Alice Davis.
  • A WALK WITH WALT 1938: DREAMING THE FUTURE: The success of Snow White and the Seven Dwarfs went far beyond the silver screen.
  • D SOCIETY: George Lucas strikes back, Destination D: Disneyland ’55 has arrived, and D23 Members are smack dab in the middle of D23’s Great Disney Scavenger Hunt at the Disneyland Resort.

The latest issue of Disney twenty-three arrives on November 1st in certain retail locations, including Barnes & Noble booksellers. D23 members will receive their issue with a member-exclusive cover, as well as a TRON: Legacy gift. I’m hoping for my own personal Recognizer.

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Progress City Home Theater: Oceans (2010)

This year saw the second theatrical release from the relatively new Disneynature banner, Oceans. Directed by two-time Oscar nominee Jacques Perrin and Jacques Cluzaud, the follow-up to 2009’s Earth is another picturesque triptych through the wilder realms of our planet. This time, though, the focus is on the underwater realm and its inhabitants.

The oceans are by far the planets largest ecosystem, featuring its greatest diversity and most intriguing mysteries, and trying to sum it all up in a single feature film is a daunting task. Oceans, therefore, lacks an in-depth focus on any specific region or creature, but it does boast some of the most incredible underwater footage I’ve seen.

Oceans was released on home video on October 19th, 2010, in both DVD and Blu-ray versions. Sadly, both are bereft of the type of in-depth extras that could really flesh out the world of the film.

The Film

 

Oceans is a gorgeous film. I mean, really, really gorgeous. Technical advances in filmmaking now allow for lush, high-definition underwater photography and, as the trailer above shows, it pays off in this film. The vivid hues of the undersea world pop from the screen in crystal clarity, and the images captured are often so bizarre and unreal that they seem out of some science-fiction epic.

While Oceans is forced by practicality to merely skim over subjects instead of providing the level of documentary detail one might desire, it does well in whetting the appetite for future study. The pace of the film is not rushed, and the sonorous and serious narration by actor Pierce Brosnan helps create a sense of majesty that seems right out of EPCOT’s original Living Seas pavilion. In fact, one of my first thoughts when watching Oceans was how sad it seems that Disney has completely missed the opportunity to capture the same impressive feeling of scope seen in this film in their Seas attraction at EPCOT. The oceans don’t need animated gimmicks to be impressive; its true-life tales, as seen in this promotional clip, are far more impressive and awe-inspiring than anything humans could think up.

Thankfully, the filmmakers tend to stay out of the way and let the animals take center stage. Long takes are often employed so that the viewer really gets a sense of place and of scale, and there’s not a lot of quick-cutting and forced attempts to tell a “story”. In this promotional clip, the filmmakers explain the thought behind this:

Again, though, the success of the filmmakers in capturing these scenes leads to a strange problem – the vignettes they present are so intriguing that the viewer wishes to linger; to stay and learn more about specific creatures. Unfortunately, by the time one becomes invested in one locale, the filmmakers are forced to move on to the next subject and all too often we witness bizarre or incredible creatures or behavior and never really get an explanation for what they are, or why they’re acting in a certain way. So many adaptive behaviors seem curious to the outside observer, as shown in the promo clip below, and sadly sometimes the film itself leaves audiences guessing as to what, exactly, they have seen.

There are many memorable moments. A breathtaking scene follows a pod of dolphins as they race each other through the sea; whales, sharks, and birds team up to corral a school of fish; otters and sea lions frolic; and coral reefs teem with bizarre and alien forms of life.

All in all, the film presents countless impressive images but, because of its vast scope, fails to really get to the meat of any particular topic. It’s a blessing and a curse: a spectacular overview of the world’s largest animal habitat, but a mere appetizer for the interested viewer. Hopefully, in years to come, Disneynature will provide a closer look and any number of these fascinating subjects.

The Discs

Oceans has been released in two packages: a Blu-ray Combo Pack (Blu-ray + DVD in a single package) and 1-Disc DVD.

Video & Audio

Like most new digital releases, the film looks wonderful. Filmed in 1.85:1 widescreen high definition, the spectacular images are the real selling point of the film on both DVD and Blu-ray.

The soundtrack, in Dolby Digital 5.1, is suitably atmospheric in presenting the sounds of wildlife and Brosnan’s narration, and audio tracks are presented in English, French, and Spanish.

Bonus Materials

It’s very unfortunate that there are so few extra features in this release, when this film specifically could benefit greatly from expanded content as well as a look at its creation. Throughout the film, I constantly wondered “How did they get this shot?” The technology used for this film must have been incredible, yet there’s no single look at the making of the film on the Blu-ray or DVD. The Blu-ray features something called “Filmmaker Annotations”, portions of which are excerpted on the DVD, but these are mere picture-in-picture soundbytes from the filmmakers that play during the film. It’s nice to have, say, a discussion of how a shot was filmed play while that scene is onscreen, but it provides a scattershot look at the making of the film and the small window in which the clips appear make it hard to distinguish who is speaking. In many ways, it’s no better than watching embedded clips on a website:

It seems criminal to release a Blu-ray with such sparse features.

DVD Features

  • “Make A Wave” Music Video – Just what every nature lover wants: a music video with Disney Channel tween stars. “Disney’s Friends For Change” present this music video featuring a Jonas and a Lovato.
  • Disney & Nature: Preserving the World We Share – A brief infomercial promoting the Disney corporation’s worldwide conservation efforts. To their credit, they’re doing a lot of work that I’d never even heard of.
  • Deeper in the Ocean – Five brief behind-the-scenes clips from the Blu-ray release.

Blu-ray Features

  • “Make A Wave” Music Video
  • Disney & Nature: Preserving the World We Share
  • Living Menus – An interactive globe in the main menu of the disc allows access to several brief behind-the-scenes clips from the film. It’s slickly designed, but makes getting at the clips rather tedious and the videos themselves are presented in unnecessarily small windows.
  • Filmmaker Annotations – A viewing mode that streams behind-the-scenes clips in-movie, allowing stories from the filmmakers and crew to be heard while the film is underway. A nice idea, but not as the only method of accessing these features

In Summary…

Oceans is yet another strong entry in the long, long line of nature documentaries from the Disney studio. The subject matter and filmmaking technologies are the perfect match for some truly spectacular visuals, and Oceans delivers those in spades. For those looking for a more in-depth type of documentary, this might not be for you. It’s also a shame that Disney did not take the opportunity to provide more extra features, as this is a film where the story of how it was made had to be nearly as interesting as what was onscreen. Still, it’s another worthy entry in the Disneynature line and hopefully a sign of spectacular things to come.

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