Archives

Contribute to Our Research

Fantasy Or Reality?

There have been many intense rumors lately that the Magic Kingdom’s desperately needed Fantasyland facelift was coming, once more, perilously close to a greenlight. We’ve heard that before, and the Fantasyland rumors now go back several years. But today, things got a little more interesting:

Leaked Fantasyland plans for Walt Disney World

Today, the D-Report’s Soft-Opening site posted the above image; allegedly it’s a leaked copy of plans for the new Fantasyland. There are a few possibilities here: First, it could be some excellent work by an internet fan who collected the best of the online rumors and put them together to trick rubes like me. Or, it could be the real plan; the problem is, we all know that until the shovel hits the soil, plans are just that. Even if this came straight from Glendale, without a budgetary greenlight we still might never see it built. Also don’t forget that even if it’s a real proposal and gets approved, plans often tend to get downsized.

But what if this is real? How does it jibe with existing rumors? Alain Littaye and the webmaster of WDWMagic have already both said that this plan matches what they’ve heard from other sources; what if this is what we’re getting in Orlando?

Well, if so, it’s far more vast than I expected. Mickey’s Toontown Fair will mercifully face the bulldozer, removing this half-hearted “land” twenty years after it was originally intended to be removed. It seems that much of the existing Fantasyland area will be enclosed and set apart with a castle wall; this was a conceit seen in much of Disneyland’s original concept art, and will in effect set the Carousel in a medieval courtyard. The area outside the castle walls seems to be fairly heavily landscaped with lots of water features, and seems more bucolic in nature.

The largest addition, as has been so often rumored, is a new dark ride based on The Little Mermaid. Taking up much of the footprint once occupied by the 20,000 Leagues Under the Sea show building, the Mermaid attraction will be modeled after a similar ride now under construction in Anaheim. In the blueprint, one can make out an extensive queue area and an Ariel meet-n-greet area.

Next to the Mermaid attraction, taking up the space currently occupied by Ariel’s Grotto, is a new area themed to Beauty and the Beast. Earlier rumors had a dark ride based on this film replacing Snow White’s Adventures, but that older attraction remains in this plan. The new Beauty area features a “Be Our Guest Restaurant,” “Gaston’s Tavern,” and something labeled “Belle Attraction.” The blueprint doesn’t seem to show an area large enough for a ride attraction, so one assumes that this is another meet-n-greet. Earlier rumors said that Mickey’s Toontown Fair would be removed and converted to a series of Disney Princess photo stops; in this plans, those photo stops seem to be sprinkled throughout the land.

Rendering for Beauty and the Beast show, Disneyland ParisRendering of the unbuilt Beauty and the Beast attraction/restaurant from Disneyland Paris

What’s really mysterious is the “Be Our Guest Restaurant.” While this could, of course, be another simple food court or restaurant, one can see that the Pinocchio Village Haus still exists in this new Fantasyland to suit that purpose. Could this new restaurant be a revived version of the unrealized dining concept for Disneyland Paris’s Fantasyland, which would feature an animatronic dinner show based on Beauty and the Beast? In that attraction, guests would dine while the Beast’s castle slowly came to life around them; it would be as if they had combined the Enchanted Tiki Room with an actual restaurant. It would certainly be a nice addition to the park.

Where the 20,000 Leagues lagoon once sat, and where the Pooh playground sits now, the blueprint shows another “attraction” themed to Cinderella. This, and the Aurora “attraction” next to it, are most likely photo opportunities similar to Belle’s area mentioned above. A small remnant of the Pooh area looks to remain across from the Pooh attraction; this, too, will be a photo spot.

What was once the main street of Toontown will become Pixie Hollow as was rumored, where Disney’s latest marketing opportunities will hold court. Across from Pixie Hollow sits the Barnstormer; while it’s labeled as such on the blueprint, its current theming as Goofy’s barn would make absolutely no sense in the new layout. Could this kid-friendly rollercoaster be re-themed to the Snow White and the Seven Dwarves mine train coaster that has long been rumored?

One of the most intriguing (and to me, most pleasing) rumors that had emerged of late was that the Aladdin spinner attraction would be removed from Adventureland, where it is a terrible eyesore, to Fantasyland where it better belongs. In this design, it appears that the ride will be moved but given a facelift; in this blueprint, there are now dueling Dumbo flying elephant spinners sitting next to each other where the Toontown show buildings now are. This would be a big move for the little elephant, moving him clear across the east side of Fantasyland and doubling his capacity. Next to the spinners is something labeled “NextGen Interactive Queue” – whatever that means – and the Toontown train station will also gain Dumbo-related theming and be renamed as the Fantasyland Station.

It’s a pretty bold plan – far bolder than we’ve come to expect from the Florida resorts, yet it still seems to aim lower than Disneyland’s 1983 Fantasyland renovation. Of course I’d like to see more new attractions – I’ll always say that – but can’t we have at least one more C- or D-ticket? We’re still several attractions short of Anaheim’s tally. I could also grouse that I’d rather have the Bald Mountain Flume from the late 1990s instead of those meet-n-greets, but all that open space could certainly be used for future expansion. Still, if done correctly and on a decent budget, this could be a nice transformation for the Magic Kingdom’s outdated Fantasyland, and at least start to bring it up to the level of its peers. The cosmetic change alone could be extremely impressive. If it’s real, the devil of the plan will be in the details. If it really winds up bringing only a lot of new shops and meet-n-greets, it could disappoint. Then again, if it truly leads of the removal of the Flying Carpets from Adventureland, I’ll bow down and kiss Phil Holmes’s shoes.

We’ll hear more about this, I’m sure, and I’m going to do some sleuthing. But does anyone know anything about this?

Related Posts...

Turns Out, I Am 23

D23 - Are you 23?

When, as is inevitable, a comic book is one day written about me, it’s conceivable that the blurb on the first cover could read, “The World’s Most Optimistic Cynic!” For someone who was once accused by a teacher – in middle school – of being an “embittered cynic,” I’ve somehow managed to develop a certain level of “magical thinking” that allows me to expect certain positive outcomes despite the laws of probability.

With that as background, I was both hopeful and skeptical when Disney introduced the D23 concept earlier this year. Disney was saying all the right things, and seemed to have picked an excellent staff for the task, but their track record in fan relations was so sketchy (about the only thing missing from those last Toad-Ins in 1998 were snipers on the rooftops) that I had my doubts. Disney seemed to understand their audience less and less each year, and it was growing doubtful that they could be bothered to appeal anymore to an audience more diverse than the young nuclear family princess, pirate, and “dream”/”wish”/”magic” demographic.

D23 Issue #2, Summer 2009 - Donald Duck is 75Finally! Respect at last!

I gave them the benefit of the doubt, as I knew I would eventually want to buy the D23 magazines anyway, and was pleased with the quality of the first issue. It was very tastefully put together, and while I still hope they start digging a little deeper on more esoteric subjects, it was a good start. The second issue, which came quickly on the heels of the first, really knocked me out because it featured Mr. D. Duck front and center. As he’s my favorite of the Disney regulars, I always feel that Mr. Duck is too often overshadowed in the company’s efforts by the less interesting Mickey Mouse. While I’m convinced that Mickey needn’t be boring, that’s a topic for another day. The point is, by giving Donald the credit he deserves – and the only company-wide recognition he’s received for his 75th birthday! – D23 showed that they were giving *me* what I wanted, and isn’t that the most important thing?

D23 Disneyland souvenir fanStuff? I love stuff!!

It also didn’t hurt that the second issue included a neat little freebie – a replica of a Disneyland souvenir fan from the 1950s. D23 was smart to recognize their fans’ love of stuff – especially free stuff – and the desire to have something neater than another pin (or $400 pen). The D23 website continues to regularly provide interesting content of historical interest, and the magazine continues to look to impress, as can be seen with this preview cover from the upcoming Fall issue:

D23 Magazine Issue #3, Fall 2009 - Haunted MansionPrankish spooks! And the Hatbox Ghost!

Even more impressive was the slate of events that D23 began to announce over the summer. Free tours of the Studio Archives in Burbank and panel discussions with Imagineers at Disneyland were definite draws, although they sold out immediately and did little for those of us on the east coast. The big shindig, of course, will be the D23 Exposition this September in Anaheim. I hadn’t even considered going at first; Anaheim seems so far away in distance and dollars that it might as well be on the dark side of the moon, and in the best of circumstances I’m hardly a convention-goer. Visions of hard-core fans milling around with pin lanyards talking about their favorite Jonas brother put me off, until I started to see what Disney was actually planning for the event.

D23 Expo 2009 BannerHe’s either reaching for your wallet or your soul – better be careful either way

In short, it sounds like it’s going to be massive. Every division of the company is coming out to woo Disney’s most devoted fans, and an array of talent from the theme parks, Imagineering, and animation worlds will all be there. There will be displays of rare artifacts from the Disney Archives, and previews of upcoming attractions and films. I started to get the feeling that if I stayed at home, I would feel like I’d been grounded while the coolest kid in town had a pool party with five types of cake and go-go dancers.

So, through a great deal of fortuosity, I’m going. Progress City will be going on the road to Anaheim, and it’ll be my first (I know, I know) trip to Disneyland. We were, by necessity, a Disney World family growing up, and by the time I had the means and method of getting to Disneyland they had destroyed that fantastic and alluring 1967 Tomorrowland and replaced it with the sad DMZ that sits there today. I had sworn that I wouldn’t go to Disneyland until it was fixed; a nice, arbitrary Mary Poppins declaration would be, “I shall go when the Peoplemover track is no longer empty.” I can’t pass this opportunity up, though. Of course, I’d also sworn that I’d never enter DCA until it was worthy of the Disney name, but now that I’m going to be there before the big fix, I kinda wish I had seen it with all the original, awful attractions so I could maximize my mockery. Oh Califia, I’ll never meet you in person!

Anyway, Disneyland. I need ideas from you folks. I don’t need goofy tourism advice like how to use FastPass, or “Mom’s Panel” advice on where to get carrot sticks or how to get the best towel animals in your room. I need that deep, esoteric knowledge that people only have about their home parks. The weird, out-of-the-way things to see; the odd and delightful park-specific snacks; the things that real Disney nerds shouldn’t miss. I’m going to try and memorize Disneyland: The Nickel Tour before I go, but if I come home without experiencing Disneyland’s equivalent of School Bread I’ll be very, very sad.

SCHOOL BREAD!!Oh School Bread, I never knew how difficult long-distance relationships were until I met you… (Photo by sanctumsolitude)

I also need to figure out the best way to publicly disgrace myself by begging for someone to sneak me onto the Burbank lot or into Flower Street. Catburglar/ninja skullduggery is not beneath me, but I’d prefer to get there by legitimate means. I clean up fairly well, am unobtrusive and house-trained, can speak in hushed tones and am extremely discreet. NDAs signed upon request. If anyone at WDI or the Studios is from North Carolina, I can smuggle you valuable goods like real barbecue, Sun Drop, or Krispy Kreme doughnuts.

So, two more months and I’m in Walt’s footsteps. Where’s the churro cart?

D23 Mickey Banner

Related Posts...

Speaking of EPCOT…

When I posted my EPCOT rant last week, little did I realize that there was a bit of a wave of EPCOT discussion sweeping the web already. Specifically, this thread on WDWMagic discussing a recent interview with Imagineer Eddie Sotto. The article itself is revelatory; it’s full of Sotto’s ideas of what Tomorrowland and EPCOT should be, and how the DVC concept could be leveraged into finally bringing Walt’s Progress City to life. It’s all spot-on. Long-time readers will know that I’m always grousing that Disney should put a single Imagineer in a position to supervise EPCOT as Joe Rohde does with Animal Kingdom. I’m convinced now that were I in charge, I would beg Sotto to come back to WDI and transform EPCOT into what it deserves to be.

For those who don’t know Sotto’s work, it includes development on Disneyland’s Indiana Jones Adventure, Tokyo’s Pooh’s Hunny Hunt, Disneyland Paris’s Main Street, the unbuilt Sci-Fi City concept, and outside projects like ABC’s Times Square Studio and LAX’s Encounter restaurant. He left Imagineering in 1999 and, showing just how good his taste actually is, named his design studio “Progress City.”

Anyway, while the discussion of EPCOT on WDWMagic is fascinating, the most interesting (and somewhat infuriating) thing that I discovered was a link to ULTra. ULTra is a personal rapid transit system that will see its first use later this year at London’s Heathrow Airport. In all the talk about what Disney should be doing to re-invigorate EPCOT or solve the transportation solutions at Walt Disney World, this is happening on the other side of the world. Look at this!!

Why isn’t Disney doing this? How can they be falling behind this far? To me, this tech is fantastic. This is exactly what Walt was looking for, what he had planned for EPCOT, and what he was advocating for as early as 1958 in Magic Highway, U.S.A.:

The ULTra is straight out of a Ward Kimball animation, or Tomorrowland 1967, or Walt’s EPCOT film. It builds upon the work that Imagineering once started with the Houston WEDway, combines those ideals with styling from the age of Steve Jobs, and would be perfect to serve the needs of Disney’s guests. Someone slip it to Bob Iger, please?

For more on Imagineer Eddie Sotto, read interviews at Yesterland, Themed Attraction (an extensive, four-part piece), and with Disney and More on his new restaurant, Riviera.

Related Posts...

New Horizons For… Those Guys

Today’s flashback comes from 1982, when the first show scene had been completed and approved for EPCOT’s Horizons attraction. The first set to be completed was Scene #14, “Urban Habitat.” You remember the one:

EPCOT Horizons, Nova Cite - Urban Habitat

To celebrate the first finalized scene for the attraction, what better for a group of talented Imagineers to do than to take a few pictures of themselves goofing off?

John Hench, Tori Atencio, Kathy Knutson and George McGinnis in Horizons“From left to right, John Hench, Tori Atencio, Kathy Knutson and George McGinnis gather ’round the ‘theramin’ — a type of musical organ which makes music from the heat of your hands as they pass over the keys.”
George McGinnis, John Hench, Kathy Knutson, Gil Keppler, Trevor Bryant and Tori Atencio in Horizons“From left to right, George McGinnis, John Hench, Kathy Knutson, Gil Keppler, Trevor Bryant and Tori Atencio in the futuristic dining area of the ‘Urban Habitat.'”

Horizons would go on to open on October 1st, 1983.

Related Posts...

They Did Have Wings…

Projectors waiting for If You Had Wings

What you are looking at are forty-two projectors, all preparing to be installed in the Eastern Airlines-sponsored ride If You Had Wings. This Tomorrowland attraction operated in Florida’s Magic Kingdom from 1972 to 1987, and consisted of a whimsical, musical Omnimover trip to various ports of call serviced by Eastern. For those who missed it, the ride’s closest modern analogue is EPCOT’s El Rio Del Tiempo; its ride system was similar to the Haunted Mansion’s Doom Buggies or Disneyland’s Adventures Thru Inner Space. Much like El Rio Del Tiempo, most of the ride consisted of dimensional sets combined with background projections – hence the need for all these projectors.

The 16mm automatic projectors were constructed by the Studio Machine Shop at the Disney Studios, and contained a continuous loop of film (the loops can be seen hanging vertically in the glass windows of the machines on the left). The Walt Disney World projectors were special in that they were designed to be operated and monitored remotely; the Magic Kingdom’s central computers, called DACS (for Digital Animation Control System), could start and stop the projectors, turn their lamps on or off and report malfunctions like broken film loops or burnt-out lamps.

If the film loops did break, the projectors would shut off automatically (automagically?). Upon repair, the projector would cycle through to the start mark on the film and wait for a command from DACS. When restarted, the projector would then sync back up with the other projectors in the attraction.

Related Posts...