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SDCC 2009 – Day One

Patton Oswald hosts the Disney 3-D panel at Comic-ConHost Patton Oswalt warms up the crowd for Disney’s 3-D panel at the San Diego Comic-Con

It’s that most wonderful time of the year again for nerds like me – the San Diego Comic-Con has arrived. Despite the many benefits of living on the east coast, it’s kind of a burn to constantly miss these key events whose acronyms spell bliss for the fanboy in all: SDCC, E3, NFFC, SXSW, etc.

Disney’s having what has to be their largest showing ever at SDCC this year, with representation from the Studio, various licensees, and D23. The Disney Studios panel today, in what was essentially the keynote event for the entire convention, was the first all 3-D panel in SDCC history. Cashing in on the fad before it wears out its welcome, Disney showcased three major upcoming films that will be presented in digital 3-D. The directors of the three films – A Christmas Carol, Alice in Wonderland and Tron Legacy – and various cast members were trotted out by host Patton Oswalt (Ratatouille) to discuss their work.

Tim Burton, Robert Zemeckis and Joe Kosinski at Comic-ConThe three directors: Tim Burton (Alice in Wonderland), Robert Zemeckis (A Christmas Carol) and Joe Kosinski (Tron Legacy). I love Kosinski’s t-shirt.

First up was director Robert Zemeckis to talk about A Christmas Carol. You’ll have to look elsewhere for news about this film, as I refuse to discuss or promote another of Zemeckis’s glassy-eyed, uncanny valley freakshows. What was interesting from the panel was that Zemeckis refused to “confirm or deny” rumors of a sequel to 1988’s Who Framed Roger Rabbit. With Disney’s recent startling agreement to distribute films for Steven Spielberg’s DreamWorks studio, fans have hoped that the rift between Spielberg (whose Amblin Entertainment co-produced the original Roger Rabbit film) and Disney would be healed and allow development on the long-sought sequel to proceed.

While not confirming rumors, Zemeckis did say that if work on the sequel proceeded, the traditionally animated characters would be presented in their original hand-drawn appearance and not modern CGI. He also told Harry Knowles that he’s often spoken with actor Bob Hoskins about reprising his role as Eddie Valiant.

Helena Bonham Carter as the Red Queen   Anne Hathaway as The White Queen in Alice in Wonderland

Next up was Alice in Wonderland, which will reach theaters on March 5, 2010. The Tim Burton film stars Mia Wasikowska as Alice, Johnny Depp as the Mad Hatter, the wonderful Helena Bonham Carter as the Red Queen (above, left) and the wonderful, dreamy, splendid Anne Hathaway as the White Queen (above, right). Burton also mentioned today that the great Stephen Fry will voice the Cheshire Cat.

Alice in Wonderland posterMia Wasikowska as Alice

Johnny Depp and Tim Burton at Comic-ConBurton discussed the film with the assembled fans, speaking about the various special effects involved and the fact that the film culls material from several of author Lewis Carroll’s works. After showing the newly-released teaser trailer for the film, Burton brought on his surprise guest – introduced as his “imaginary friend” – Johnny Depp. Depp made a splash but didn’t take any questions; elsewhere at the Con, guests were able to see props and costumes from the film.

One weird aside from the Alice panel: Burton revealed that his next project will be a remake of the old ABC vampire drama Dark Shadows. It seems that Johnny Depp actually owns the rights to the property, so speculation now runs rampant that the two chums will team up again with Depp possibly in the role of Barnabas Collins.

Still from Alice in Wonderland (2010)Mia Wasikowska as Alice in Wonderland

Then it was time for the big show. Even since Disney announced its upcoming sequel to 1982’s cult classic TRON at last year’s SDCC, fans have been clamoring for more. Now, at the very least, we have a title:

TRON Legacy title card

Tron: Legacy, as the film is now known, was represented at SDCC by director Joe Kosinski, producers Sean Bailey and Steve Lisberger (director of the original TRON), and cast members Jeff Bridges, Olivia Wilde and Garrett Hedlund. Baily and Lisberger presented some concept art from the film, some excellent photos of which can be seen at AICN, a brief teaser, last year’s teaser in 3-D, and some footage of computer warriors battling on the game grid.

TRON Legacy panel at Comic-ConThe TRON: Legacy panel in front of concept art of a Recognizer

The film’s plot line, which has recently been hinted at via two new viral websites, jibes with rumors that have circulated for a while now. Apparently, programmer Kevin Flynn (Bridges) went missing in 1989, leaving behind his son Sam (Hedlund) who is now looking for his lost father. The teaser shown at SDCC begins with a voiceover by original TRON castmember Bruce Boxleitner calling the younger Flynn to inform him that something’s up that might involve his dad. The rest of the teaser, which involves the young Flynn visiting his father’s old arcade and finding something mysterious (and music by Journey!), is well-described at AICN, IGN, Newsarama and ComingSoon. Be sure to see AICN’s pictures of the concept art – how amazing to see a newly rendered Recognizer, the 4-wheeled Light Runner, the new Solar Sailer, and the gorgeous new fifth-generation Lightcycles. IGN provides an excellent description of the battle scenes, as well. It sounds fantastic, and I can’t wait to see it all in motion with the Daft Punk-supplied soundtrack (but where’s Wendy Carlos?).

The other Disney presence on the first day of SDCC was at the D23 booth. Disney’s new official fan club is really representing itself well so far, with a booth full of costumes from TRON, The Rocketeer, Condorman (!) and other Disney sci-fi films from the past. Imagineer Tony Baxter and Stacia Martin stopped by, and D23 members who came to the booth received a rather nifty SDCC-specific gift (pictures from this excellent post):

Disney Robots gift from SDCCFree gift for D23 members from SDCC

Seriously, how sweet is that? Sure there are some missing bots (and where’s President GARCO?), but this is what I love about D23 – someone knows the obscure goodies in the Disney vault. Maybe Maximillian was an easy – but awesome – pick, but Tik Tok? The evil robot from Mars and Beyond?! That’s brilliant, and speaks well for the Disney-nerd chops of the folks at D23. Also, I don’t know how to get one of these, but I WANT:

VINCENT from The Black HoleBut where’s Maximillian? And why are these marvelous obscurities so hard to find??

Click the above link for more pictures of displays by various Disney licensees, including lots of new toys and products based on Cars and Toy Story.

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Shiny Kingdom, Sad EPCOT

A couple of very brief updates to round out the evening. There was something I had to share, and then I saw something else that I probably shouldn’t.

First, Foxx posted an interesting summary of some of the visual plussing that’s been going on at the Magic Kingdom. I give the management there a hard time, but whoever is responsible for these new layers of unheralded theming deserves great praise. It’s all about the little things – Foxx mentions the creation of new, well-themed signage, which is great because on my last trip I noticed the incredibly shabby magnetic signs from the Diamond Horseshoe that she mentions. A heightened level of texture is what makes the Kingdom great, and it’s inspiring to see it come back. Hopefully it’ll creep northward and into the east side of the park.

The second thing I must post, because it made me laugh with a magnitude I’m embarrassed to admit, is the following video. Aside from saying that I’m afraid Foxx will kill me for associating this with her great posting, I also suppose I should warn you that it contains profanity (in subtitle form). Seriously. I’m warning you. Don’t blame me if you click on the button:

Sure, he might be the 20th century’s greatest monster… but he knows his EPCOT!

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I, For One, Welcome Our New Go-Bot Overlords

World Showcase characters circa 1982, EPCOT Center One of the most oft-repeated elements of early EPCOT lore is how, when the park opened in 1982, it was completely devoid of any of Disney’s signature characters. Disney executives thought it important that the new theme park create its own unique identity, and feared that taking Mickey and the others outside the borders of the Magic Kingdom would dilute their impact and make that park less special. Instead, Disney hoped to rely on its stable of artists and Imagineers to create a whole new generation of EPCOT-specific characters that could capture the imagination of young visitors and, of course, sell lots of merchandise.

This task was made easier when Journey Into Imagination was added to the Future World roster late in EPCOT’s development, as that attraction’s host Dreamfinder and his pet dragon Figment would be highly sought photo opportunities for years to come. For World Showcase, it was decided to repurpose the eight-foot-tall “dolls” from the 1976 Bicentennial’s America on Parade, and to dress them in various country-specific costumes (as can be seen in the picture on the right). Needless to say, the effect was somewhat terrifying and these towering international golems didn’t prove as endearing to children as Mickey and Donald. They were soon removed, and eventually the company gave up and allowed the classic Disney characters into the park.

But what’s widely unknown is that Disney’s attempt to create EPCOT characters went far beyond Dreamfinder and the Showcase dolls. In an internal Imagineering publication from January of 1983, cast members were allowed a sneak preview of EPCOT’s cuddly, robot future – The Go-Bots!

Go-Bot Imagineering sketch, EPCOT, 1983

At the end of last April, thirty-seven WED & MAPO employees submitted their design concepts for a new generation of Disney walk-around characters whose purpose would be to greet and entertain guests in EPCOT Center. This was no small task considering that we were entering the last six months to our October opening day and time and imagination were at a premium.

Each participant was asked to develop a “concept for a walk-around character with the charm of Mickey Mouse and the unique feeling of EPCOT Center.” If their concept was chosen for further development, they would receive a trip for two to EPCOT Center.

At the beginning of January an announcement from the Creative Development Division was made and the Imaginews is pleased to congratulate Chris Runco from Special Effects on having his concept chosen and sent on to Entertainment in Florida for further development.

Chris’ idea was for a group of “Go-Bots” each with his or her own unique personality and each made of “squeezable” padded cloth and sponge rubber, with big molded plastic buttons. When the “Go-Bots” are hugged, patted or otherwise interacting with guests, they would beep, buzz or make “pocketa-pocketa” sounds with electronic noisemakers controlled by the person inside. As Chris says, “my main thrust was to create a technological character as warm and as friendly as our Magic Kingdom Characters.” The result – huggable “Go-Bots.”

Congratulations to Chris, and many thank you’s to everyone who spent their time and talent developing and submitting their ideas.

Spoiler alert: They never made the Go-Bots. Weirdly, though, someone else did. Those of you who are, like me, children of the 1980s will remember Tonka’s lame Transformers knock-off GoBots; they starred in a brief cartoon series and were sold in stores from 1983-87. Not very “squeezable”, though.

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Bad Toy Story Fan Art

Through his Twitter feed, Pixar director Lee Unkrich recently held a contest to find the “most annoying, awful piece of Toy Story fan art.” Sadly, I did not win. But it did give me a chance to embrace two of my favorite pasttimes: scribbling vaguely psychotic drawings, and acting like a total idiot. Gaze upon my artistry, ye mighties, and despair:

Bad Toy Story Fan Art #1Buzz, Woody and Shrek Visit Disney’s California Adventure for the Purpose of Voting for Proposition 8
Bad Toy Story Fan Art #2In Which Buzz Lightyear and Woody the Sheriff travel to Graceland as painted by Thomas Kinkade
Bad Toy Story Fan Art #3There’s a Snake in Woody’s Boot (with Concurral by Buzz Lightyear; feat. G1 Optimus Prime as Buzz Lightyear)

And then, I decided to try and be slightly more disturbing:

Bad Toy Story Fan Art #4Proposed Poster for the forthcoming release Toy Story 3
Bad Toy Story Fan Art #5Untitled Fabric Sculpture #5

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And That’s The Way It Is…

Walter Cronkite in Back to NeverlandWalter Cronkite and an animated Robin Williams in Back to Neverland

The very sad news has just come across the wire that legendary newsman and television anchor Walter Cronkite has died today at the age of 92. Cronkite, who served as the anchor of the CBS Evening News for 19 years from 1962-1981, was a constant presence throughout the historical events of the late 20th century; he was there for everything from the Kennedy assassination to the Apollo moon landing to Vietnam and beyond. He was an iconic presence during my childhood, and his avuncular authority was a staple for an entire generation of news viewers.

For Disney fans, he’s best known for two things. He provided the magnificent narration for EPCOT’s Spaceship Earth from 1986 to 1994, and he was the original host of The Magic of Disney Animation at the Disney-MGM Studios from 1989-2003. Appearing in the preshow film Back to Neverland alongside a real-life and animated Robin Williams, Cronkite spoofed his serious image while providing a look at the animation process.

An old-school print journalist who went from reporting on World War II to anchoring the first steps of man the moon, Cronkite was one of a kind. I’ll leave you for now with a quote that he provided for the back cover of Richard Beard’s 1982 book, Walt Disney’s EPCOT: Creating the New World of Tomorrow:

This universality of Disney carries on after his death, and continues in projects that he had put on the drawing board before he died. Epcot Center is a case in point – bringing together representatives of international industry, international commerce, and the governments of other countries in a permanent world’s fair. It perpetuates that theme of his that we are indeed one people.

UPDATE: I’m embarrassed that one of Cronkite’s Disney contributions slipped my mind, especially considering that it’s one of my absolute favorite things… pretty much anywhere. Cronkite served as the host of Holiday Illuminations, the special seasonal version of EPCOT’s nighttime light show which ran from 1994 to 1999. The finale of that show, Let There Be Peace On Earth, can still be heard with some of Cronkite’s narration intact as the holiday tag at the end of Illuminations: Reflections of Earth:

Also, Orlando Attractions Magazine has posted some nice behind-the-scenes photos of Cronkite’s work on Back to Neverland.

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