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The Ryman Centennial: June 28th, 1910

Today marks the 100th anniversary of the birth of Herbert Dickens Ryman, an artist who went on to become one of the best-known Imagineers in the Disney pantheon. As we mentioned earlier this month, we’re going to take this opportunity to look back at his life and career, so for the next week we’re going to feature new stories each day that will cover different phases of his artistic life. We’ll also feature some of Ryman’s artwork – his pictures worth many thousands of my words, after all – and excitingly we’ll be showing some of his pieces that are previously unpublished.

This evening we’ll kick things off with a look back at Ryman’s early life and his career at Metro-Goldwyn-Mayer; as the week progresses, we’ll look at his work for Disney on a series of projects stretching from Disneyland to Euro Disneyland and all points in between.

Perhaps we’ll also be fortunate enough to hear from some of those who knew Ryman – for those who were lucky he was a friend, collaborator or mentor. For the rest of us, he was one of those great artists who fired our imaginations with his evocative conceptual work.

It all started 100 years ago today, in Vernon, Illinois. Happy birthday, Herb!

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Delightful, Delicious, Delaney

One of Imagineer Tim Delaney’s famous renderings for EPCOT’s The Living Seas pavilion

The last time we spoke of Imagineer Tim Delaney was last year, when he departed Walt Disney Imagineering after thirty-three years with the company. Fans mourned his loss to WDI, as Delaney was a well-known name who had worked on a number of prominent and well-received projects throughout his career. I was glad to discover, then, that Delaney had landed on his feet and founded his own design studio. His website, which debuted a few months ago, provides a nice summary of his career to date and – even better – gives us lots of his fantastic conceptual art to view!

So before you drop in to check out his portfolio, here are a few of his pieces that I found most interesting. Delaney’s “break-through” came in the late 1970s with his well known conceptual renderings for EPCOT’s The Living Seas.

Conceptual art for The Living Seas

This rendering shows elements from the show and attraction originally conceived for the pavilion; this spectacular attraction was sadly abandoned when sponsorship problems forced Disney to cut the budget. Delaney’s rendering for Seas were so evocative and exciting, that the actual pavilion wound up being something of a disappointment when it actually debuted in 1986. An engineering triumph, to be sure, but nowhere near as expansive as Delaney’s original imaginative concepts. But that’s not all that he worked on for EPCOT.

Rendering of Future World for EPCOT Center, circa 1978

This exciting rendering shows the Future World section of EPCOT Center as it was envisioned in 1978. I love the energy in that piece. Delaney also did some conceptual work for EPCOT’s never-built but long-lamented Space pavilion.

Rendering of the main simulator attraction for the unbuilt EPCOT Space pavilion

Other key projects that Delaney worked on at WDI included Discoveryland at Disneyland Paris and Tomorrowland at Hong Kong Disneyland. He developed concepts large and small, including the much-lauded Disney Parks and Resorts exhibit for last year’s D23 Expo.

Rendering of Disney Parks & Resorts Exhibit for the D23 Expo

But you know what we’re really interested in – the attractions that never made it off the drawing boards. The blue sky concepts. The sneak peeks of possible future attractions. Here are some of my favorites from Delaney’s site. First, the projects that never came to be. Delaney worked on several of these, including resort hotels…

Rendering of Disney’s White Mountains Lodge

This resort, which I believe is one of the various Disney regional resorts that had been considered, is called the White Mountains Lodge. According to Google, there are White Mountains in both Arizona and New Hampshire; the New England setting better fits the summer and wintertime views that Delaney envisions.

One of the most prominent projects that Delaney worked on before he left Disney was the famous pirate-themed expansion for Hong Kong Disneyland. This vast area would have been a “mini-land” addition to Adventureland, with several rides deriving their themes from Pirates of the Caribbean. The area would have possibly included a variation of the Haunted Mansion, and of course a new iteration of the famous Pirates of the Caribbean attraction. This version of Pirates would have been more thrilling than previous incarnations, though; with no plans to bring Splash Mountain to Hong Kong, the new version of Pirates would have incorporated elements of that flume attraction and ended with a massive drop. And I think it would have gone a little something like this…

Guests plunge from Skull Rock in this concept for Hong Kong’s flume-based Pirates of the Caribbean attraction

Sadly, Hong Kong officials nixed this expansion. It would have been nice…

Concept art for Hong Kong Disneyland pirate village, 2006

But Delaney’s site also gives us a glimpse of what the future might hold, with concept art from 2008 for Shanghai Disneyland – some of the first development art we’ve seen for the park. Here, Delaney shows a few of his concept for the park’s Main Street area:

Concepts for Shanghai Disneyland’s Main Street by Tim Delaney

While these concepts probably differ greatly from what we’ll actually see when the new park (codenamed “Project Bueno”) opens later this decade, they at least give us an idea of what is being considered. For one thing, many have questioned if the new park will be a traditional “kingdom” style design. While these designs are certainly different from previous Main Street areas, they do indicate that the park will have a somewhat similar layout with a town square, Main Street, and Center Street.

The top sketch shows a Hollywood-themed Main Street, with the various traditional Main Street amenities themed to appropriate Hollywood landmarks. The arch over Center Street indicates that it leads to the “Walt Disney Studios.”

The center sketch shows Main Street as a “Forest Village”, with a fantasy-based enchanted forest feel. The bottom sketch depicts a “Whimsy” Main Street, with various far-out designs more reminiscent of Downtown Disney. Interestingly, Center Street in this design provides a “view to Hyperion Theater.”

One of my favorite designs is this imposing suggestion for a new Space Mountain, from 2008:

Rendering of a new Space Mountain, possibly for Shanghai Disneyland

That’s just a taste of what Delaney has on his site; head over and check out the rest, including more fantastic work on projects both built and unbuilt. And a few things that are mysterious but simply very cool…

I’ve no idea if this design for a “new Nautilus” was for any specific project, but wouldn’t it have looked cool in Hong Kong’s unbuilt Glacier Bay?

Good luck to Tim in all his future projects!

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Debuting Norway, 1988

In the summer of 1988, EPCOT was celebrating the arrival of Norway – World Showcase’s 11th pavilion. The pavilion had soft-opened that May, with a grand opening celebration following in June. So by the time of Walt Disney World’s 4th of July parade, it was time to give people a glimpse of the pavilion and its new ride, the Maelstrom. And who evokes the spirit of Norway better than… Willard Scott? Really? Oh well, let’s take a look:

I vividly remember watching this for the first time. Jeff and I had taped the old Walt Disney Presents classic From the Pirates of the Caribbean to the World of Tomorrow off of the Disney Channel, and watched it approximately a billion times afterward. That was the high water mark of park promotion; with full filmed ride-throughs of attractions, it was like being in the park! So with that precedent set, I had high hopes when we tuned in to the annual 4th of July parade and found out they were going to preview the new Norway ride. Remember, I was an EPCOT freak at even that young age, and a whole new pavilion and attraction was about the most exciting thing possible. I was so ready to see footage of this new ride.

You see what we actually got. What’s hilarious is that I remember being so livid at the time; it was my “drink more Ovaltine” moment. But actually, when watching this video now, it actually does pretty much show the entire ride. It’s just blended up some, and the dialogue isn’t there. But that’s pretty much it. Of course, without the internet I had no way of knowing that. I thought we had a grand new EPCOT E-ticket, and they were pulling the old bait-and-switch on me.

In a way, it’s funny to think that not so long ago we had to depend entirely on Disney News to shape our perceptions and awareness of new projects until we were lucky enough to visit the parks again. Of course, there was also the annual report – a once-a-year arrival that was greeted with just as much excitement as Santa Claus.

For more insight into the grumpy young man I was, I always remember being furious at the irritating lady for the kind of ridiculous line about how much she enjoyed the “tour of the North Sea.” I really had it in for that lady. For some reason, I don’t really remember realizing how kind of scary and disingenuous Willard Scott was, with his weird bug-eyed patronizing responses to the guests. I did, however, pick up on how uncomfortable the poor Norwegian cast member was.

Twenty-two years ago! It’s hard to believe we haven’t had a new pavilion, or even an updated Norwegian film, since.

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Like The Tick, Tick, Tock Of The Stately Clock

Good news, everyone! The truly excellent new Pixar short Day & Night has just been released on iTunes. If you haven’t seen Toy Story 3 yet, or even if you have, it’s well worth checking out. In fact, at the moment I think it might be my favorite Pixar short ever – I enjoyed it far more than Toy Story 3 itself, as a matter of fact. It’s certainly different, and draws on some unique styles and techniques to do something refreshing and new. It also has some nice midcentury traditional animation influences, so that’s fun. Anyway, that’s my spiel – head over to iTunes to check it out yourself.

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Let’s Laugh At The Naïveté Of The Past

Someone posted this chestnut from 1990 on a message board today, and I thought it was good for a chuckle or two. Or, you know, tears. Lots of tears.

Counting generously, I have them at zero-for-seven on those announcements. That’s a hitting percentage of… .000. Nice. Although I guess you could be super generous, and say that Harry actually meant that the park would be getting an entirely different The Little Mermaid ride, but just in 2011 and in the parking lot.

I have no explanation for the music cue from Back to the Future.

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