Disney animation stalwart Andreas Deja has set up his own blog with which to share his vast collection of vintage artwork and stories of working with the legends of Disney animation. I’ve no doubt it will be a project to follow with great interest…
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Disney animation stalwart Andreas Deja has set up his own blog with which to share his vast collection of vintage artwork and stories of working with the legends of Disney animation. I’ve no doubt it will be a project to follow with great interest… Related Posts...It began, like so many things, with one little spark… Although this was not a spark of imagination, but of conflagration. More specifically, a fire that took place this last January in the Magic Kingdom’s Enchanted Tiki Room – Under New Management attraction. Since this was far from a popular show, the big question at the time was what would happen next? First, there were only baseless yet fervent hopes and pleas for a return to the original Tropical Serenade. Then there were actual rumors, and then leaked information, and even more rumors. It soon became apparent that not only would the Tiki Room return, but it would return without some of the most offensive elements from the Under New Management show (which had either perished in the January fire or been ruined afterwards by the fire suppression system). There was even the possibility that the original show would return – or at least elements of it. But which elements? And why did the officially-announced reopening date keep getting pushed back? The first real word was handed down at last month’s Destination D event in Orlando. At the end of a somewhat peculiar session discussing upcoming Imagineering projects in Florida, the voice of Tiki Room emcee José came over the convention hall loudspeakers and it was announced that the Enchanted Tiki Room would indeed be returning. But this announcement was tacked on to the end of the presentation and amounted to little more than “OhyeahtheTikiRoomiscomingbackkthanksbai.” There was no discussion of when it was returning, and in exactly what form; the announcement that Disney had tweeted approximately a half hour before the Imagineering presentation contained the bewildering phrase that the new attraction would be “reminiscent” of the original show. In this day and age, such vague verbiage is enough to send fans into fits of anxiety. What did they mean? Thankfully, it appears that we have nothing to fear. Disney has announced that the Tropical Serenade will indeed return as simply “The Enchanted Tiki Room,” with a targeted opening date of August 2011. The tiki gods have indeed been kind; I can’t tell you how it truly warms me to the core of my soul to read – in an official Disney press release – the words, “The ‘new management’ has been let go.” Here are the other relevant parts of their statement:
For the devoted Disney fan, there are victories and there are victories. Restoring the original Tiki Room show to the grand and glorious Sunshine Pavilion – a facility more lavish than its Disneyland counterpart – is a victory on the scale of D-Day. It’s been a long time since fans have been able to see a proper show in the Sunshine Pavilion, with rain falling outside the windows in front of a distant, smouldering volcano. It’s hard to believe that something so long hoped-for has actually happened. Of course, for those of us who are never satisfied, this begs other questions. What will the pre-show be like? The building’s queue area has been walled off for some time now, so it seems certain that whatever appears there will be something new. The pre-show is something that neither the original Florida Tiki show or its 1998 replacement ever got completely right, so there’s certainly room for improvement here. The Tiki Garden, which acts as a pre-show for California’s Tiki Room, is far superior in both content and atmosphere, and would of course be a welcome addition in Orlando. Current rumors suggest that there’s something interactive planned for the queue, which would certainly fit with Imagineering’s current fetishes, but I hope that whatever appears is more focused on creating a mood than squirting guests with water. Certainly, a re-thinking of the Tiki Room queue could help solve problems with the attraction’s usage statistics; a re-located entrance along the corridor between Jungle Cruise and Pirates of the Caribbean would help scoop up more passing guests who might otherwise continue on unawares. There has been a problem in the past with guests entering the pre-show area but leaving before the show begins; could this be because the uninitiated believe the amphitheater-like queue to be the show itself? Or is there simply too much dead time waiting in the unairconditioned queue waiting for something to happen? That’s not an issue in California, where the Flavor of Hawaii film and Tiki Garden show (not to mention a booming trade in Dole Whips) help keep things interesting. Even better than a new marquee and a more prominent entrance would be a return of the Barker Bird, voiced by the inimitable Wally Boag. Not only would it be a nice tribute to the recently departed performer, but it would be a return of one of those lost bits of texture that used to make the Magic Kingdom special. And since I am, in fact, taking credit for this whole turn of events (Disney obviously is only doing it to cave to my demands!) I will finish with these two … requests: An actual tree, in the Sunshine Tree Terrace. Seriously. Bring it back. Also, I demand a return of the original Citrus Swirl. With frozen orange juice, not any of that soft-serve shenaniganonsense. Square all that away, and all will be well with the Sunshine Pavilion, and I will have no more demands.* So yeah, Tiki Room! * The management reserves the right to continue all demands, beginning with the removal of the Flying Carpets spinner in Adventureland Related Posts...A couple of blogs I read have linked to this post today; it’s an “expose” about what a horrible person author Roald Dahl (allegedly) was. I know nothing of Dahl except for his books, which I read voraciously as a kid, and the story of his early years and dealings with Walt Disney. So I cannot assess the veracity of the rest of the story (although it’s telling that the author openly admits that his feelings about Dahl stem from some unspecified problems in his own childhood), but I can speak to this absurd quote from the story: According to the post, “[Dahl’s] interest in writing, combined with his ludicrous tales of his wartime experience, quickly led him to Hollywood, where he immediately had much in common (appetite for clandestine inappropriate sex, hatred of Jews) with the Disney brothers. Walt Disney gave him the use of a car and put him up at the Beverly Hills Hotel!” No. No, no, no. Those of us in the Disneysphere have been dealing with this absurd urban legend for years, and I tire of correcting those who repeat it as fact without attribution. Perhaps the best analysis of this problem that I’ve read online was contained in an excellent post on Cartoon Brew. It’s worth taking a few moments to read. As to the Dahl story, it treats its subject with a series of equally unsourced, specious statements and uses them to draw unfounded conclusions. Dahl was a racist and Nazi sympathizer, but also hated Nazis from his time fighting them in World War II? Wha? I’m sure Dahl has his own fans and supporters, though. I’m here for Walt, and as to my feelings on the matter… well, just read the title of the story. Related Posts...At times, the workings of the cosmos are so peculiar as to be completely inscrutable. And so it is that Betty Taylor, who brought Slue Foot Sue to life for thirty years at Disneyland’s Golden Horseshoe Jamboree, passed away within a single day of her fellow performer of over 40,000 shows, Wally Boag. Taylor debuted at Disneyland in 1956, and performed there five days a week until her retirement in 1986 (Boag having retired in 1982). Her more than 45,000 performances helped make the Golden Horseshoe Jamboree not only a legendary Disneyland experience, but also the most-performed stage show of all time. I suppose it’s strange to view the passing of two individuals who lived such long and rich lives as tragic, but one can’t help but to feel that way when two very unique and special people have passed out of this world. Again, perhaps its best to let Betty’s work speak for itself. Her she is in 1962, performing her signature number, Bill Bailey. I have one question, though – how many of you fellows who grew up out California way also grew up nursing a crush for Ms. Taylor? I have a feeling that quite a few of you did… Related Posts...A far greater tribute than me running my mouth, would be just to take a moment to watch the master at work… We’ll miss you, Wally. You were one of a kind. Related Posts... |
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