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CULTURAL DISPLAY OF OFFICAL LICENSED DISNEY ANIMATION 3D FOR MAKE BENEFIT OF GLORIOUS BIRTHDAY OF MICKIE MOUSCZE

Jerry Beck over at Cartoon Brew has posted a series of soul devouring, mind shattering, and completely inexplicable mocap animations based upon formerly beloved animated characters on his blog. As a friend of mine said upon viewing, “why does my brain feel like I’m crying when I’m not?” I can only assume this video is somehow tied to our government’s efforts in Guantanamo Bay, or possibly the result of some Lovecraftian entity trying to manifest itself in our dimension via YouTube.

Watch the videos, if you dare, and be sure to read the hilarious comments by others at the end of the story. Then try to enjoy what remains of your life before the girl from The Ring shows up to get you.

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Seventy Nine Years of the Mouse

Steamboat Willie

Seventy-Nine years ago today, on November 18, 1928, Steamboat Willie debuted at the Colony Theater in New York (in front of a film titled Gang War, which I find amusing). While it was the third Mickey short to be animated, it was the first to be released with synchronized sound and is considered his official debut (the two earlier films would be re-released with sound afterwards). There’s an interesting story about the determination of Mickey’s official ‘birthday’ on 2719 Hyperion.

Disney had put all his resources on the line to obtain the rights to use Pat Powers’ Cinephone sound system, starting a long trend of Walt putting everything he had into making huge technological leaps. The unprecedented success of the Mickey shorts would provide the foundation for everything that came later; Walt would later famously say that it “all started with a mouse.” It’s fairly amazing to think that the multi-billion dollar corporation that exists today really did begin with the single showing of this animated short.

Ub Iwerks’ hilarious and fluid animation – he animated these first shorts almost singlehandedly – infuses Mickey with far more personality than the slicker animation of later Mickey films. Yet while Steamboat Willie remains iconic, it’s rarely shown or seen in its entirety. This is a shame, as these early black and white Mickey cartoons show a character far removed from the incredibly bland, fey, and dull creation Mickey would later evolve into.

Ick.

Mickey has become an icon and ceased to be a character. While Donald constantly became more interesting and amusing as a character, Mickey became bland and corporate and is now usually represented as a manic, mincing meth fiend who is always giggling uncontrollably. Hopefully as new leadership at Disney helps the company get in touch with its roots, we’ll see more of the Mickey of Plane Crazy and less of Mickey and the Seal. Think of it as an intervention, even if it’s for a seventy-nine year old mouse.

Happy birthday Mickey…

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Blue Sky Rumors from the Florida Project

Haunted Mansion, Walt Disney WorldFrom around the web come rumors and portents of upcoming attractions for Walt Disney World in Florida. We remind you that these are only rumors; nothing is certain until opening day. Think about that the next time you’re visiting the Equatorial Africa pavilion at EPCOT…

Magic Kingdom

The big rumor lately is the rumbling about a potential E-ticket for WDW’s 40th anniversary in 2011. No one knows yet what this is (quixotic fans palpatate about Fire Mountain and Bald Mountain), or where it might fit in the park.

More specific, though, are rumors about a Little Mermaid ride coming to the park. No one knows if this is the E-ticket in question, but both Blue Sky Disney and Jim Hill Media report that WDI is eager to revisit this film for a major dark ride in Fantasyland

Mermaid ArtDisney obsessives might recall that a Mermaid dark ride was originally designed by Tony Baxter’s team for a second wave of Disneyland Paris attractions in the early 1990’s. Following that park’s desperate and hungry early years, those plans (along with a Beauty and the Beast show) were shelved. The attraction was also promised for Disneyland and Walt Disney World for 1993 as part of the “Disney Decade” (thanks Eisner). The ride most recently resurfaced on Mermaid‘s DVD release as a CGI ride-through recreation with commentary by Baxter.

More recently, the Mermaid ride was announced as part of Disney California Adventure’s billion-dollar revival. If it’s brought to Florida, odds are that it will in some way differ from the California version. New management at WDI isn’t quite as keen to do the cookie-cutter clone thing like the previous regime, and so we probably won’t see this attraction in Florida for 5-6 more years.

Jim Hill also repeats the recent rumors concerning a new merchandise location at the exit of the Haunted Mansion. According to him, the exit for the attraction will be routed through the current Yankee Trader shop. This location will be tripled in size to allow for the new traffic, but this will most likely not occur for 4-5 more years as the recent $30 Million rehab budget was needed entirely for updating the attraction itself.

In Adventureland, Screamscape has been reporting on a series of rumors concerning a pirate-themed restaurant called “Tortuga” to be built in the former location of the Adventureland Veranda (closed since 1994! Thirteen years!). The most recent buzz has the retheming put on hold as the park’s funds have been diverted to updating the kitchens of a number of the park’s existing restaurants. I’m just amazed that this prime location can sit completely empty for more than a decade. Where have you gone, Kikkoman?

Screamscape also has heard rumors that the TTA will go down for rehab along with Space Mountain next year, and will have some minor updates.

EPCOT Center

Things are quiet at EPCOT now, although rumors are floating around about 2011. The current gossip is that each of the four parks will receive an E-Ticket for WDW’s 40th anniversary, although we don’t know what EPCOT would get. Suggestions have included the enlarged Canadian Rockies that WDI allegedly wants to build with a raft ride in World Showcase; this addition to the Canadian showcase would serve to block the large Soarin’ barn from intruding into Showcase sightlines. Obviously WDI is going to have to come up with something to fill the now-empty Wonders of Life pavilion, and rumors have circulated since John Lasseter came to Imagineering that a complete re-do of the Imagination pavilion was in the cards. But these are all the stuff of complete rumor, and nothing is remotely solid on this yet.

The only thing we do know is that Spaceship Earth’s re-opening has been pushed back until February 18th. Details on the scope of the ride’s overhaul remain sketchy.

Disney-MGM Studios

Yeah Disney, I ain’t calling it “Disney’s Hollywood Studios” until you make me.

Toy Story ManiaHaving not received any updates of note in recent years, D-MGM is coming due for an overhaul. As I wrote about previously, and reported by the Orlando Sentinel the park is being renamed “Disney’s Hollywood Studios” in January and WDI is allegedly working on a slate of improvements to the park to unify its theme and ‘plus’ the park a la their announced rebuilding of California Adventure. While no details of these rumored improvements have surfaced, the park’s new wave of attraction begins when Toy Story Mania! opens next year (along with other much less interesting things). Blue Sky Disney reports that if these changes do go through, 2008 will be a transition year for the park while 2009 will be a “kicker” with improvements to both decor and attractions.

From the land of less exciting things, Screamscape has been reporting on plans to fill the empty ABC Theater (formerly SuperStar Television) with a new interactive show based on American Idol. As building permits have been filed showing that work is in fact being done on the facility itself, Screamscape and LaughingPlace have reported that Disney is in talks to actually license the American Idol name for the show. We’ll have news on this eventually, I’m sure, which will be heralded by the audible gnashing of my teeth.

Animal Kingdom

Much like EPCOT, Animal Kingdom is coming off of a building spree (Everest, Nemo) and it’s “Phase II” is now complete. While there’s obviously a lot to do to make this a legitimate and complete theme park, it looks like Disney is going to try and capitalize on the newfound popularity of the park due to Expedition Everest and parlay that into longer operating hours. DAK has traditionally operated very short days, usually closing at or before nightfall. Every hour that the park stays open later means lots of cash for Disney, so now that they actually have rides (well, a few) and a restaurant (Yak and Yeti – now open!) at DAK they’re going to try and keep it open later.

Jim Hill Media has reported that an after-dark parade called “Rivers of Light” is in development. Contrary to its aquatic name, the parade is a traditional land-based affair with character-laden boat floats (not flote boats) circling around the Tree of Life and Discovery Island (not *that* Discovery Island).

As to any real new attractions for the park, if the cycle of attendance and later hours and filthy lucre continue, then we might see Phase III coming down the pike sometime soon – maybe they’ll realize if they finally build “Beastly Kingdom” then we’ll shut up and leave them alone…

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Memories…

Ahh, for the days before California Adventure… and Disney Studios Paris… and Hong Kong Disneyland… and Disney’s America/WESTCOT/Port Disney… and Phase I Animal Kingdom… and Stitch’s Great Escape… and Journey into YOUR Imagination… and Food Rocks… and Mission Space… and Laugh Floor… and Leave a Legacy… and Enchanted Tiki Room SCREAMING EDITION… and Pop Century… and Chicken Little… and wands and hats… and Rocket Rods… and Paul Pressler… and Cynthia Harris… and Jay Rasulo… did I mention Pop Century? Did I mention California Adventure?

Memories…

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The Blessing of Size 11/15

Waltopia“Here in Florida, we have something special that we never enjoyed at Disneyland . . . the blessing of size. There’s enough land here to hold all the ideas and plans we can possibly imagine.” – Walt Disney

Walt Disney used these words when he presented his Disney World concept to a thrilled public close to his death in 1966. Indeed, at that time, the land that Disney had purchased under several dummy corporations seemed limitless. Still today, there is a scale and largesse in Florida that is seen nowhere in other Disney parks. Yet, through the 36 year history of the property, particularly starting during the Eisner era, there was significant property abuse: poor planning and a cavalier attitude about building have eaten up acres of Florida swamp. This column will be a regular one here at Progress City looking at the Blessing and Curse of Size at WDW, how Disney has used this space effectively and abused it conversely.

But let’s look on the bright side first – the area of the property that uses space most to its advantage – the Phase I Magic Kingdom resort area.

This space is all very reactionary to the clausterphobia of Anaheim, and is the work of an Imagineering department at the top of their game, with Walt tossing around his last ideas prior to his death. In some ways, I believe this area to be the best thing WDI ever did. They use space so much to their advantage for dramatic effect.

First, there are the obvious points: the castle is huge compared to Disneyland, it was designed to be seen from the toll plaza and start anticipation and excitement. There’s a lake in front of the theme park instead of a parking lot! In addition to being aesthetically pleasing, this allows for people to be seperated from their everyday lives. Before the MK resort busses, the only way you could get to the Magic Kingdom was by monorail or ferry. You were already being transported into fantasy before you entered through the park gates. This was a big concept floating around WDI at the time not only with this plan, but with EPCOT (the city) and the failed Mineral King Resort Project in California, where guests would have parked in a subterranian parking deck and been transported up the mountain.

satelliteIn addition to the modes of transportation, you are being surrounded by fantasy with the hotels, an extension themselves of the Magic Kingdom. Unlike the later-built Yacht and Beach Club (much discussion to come) that had no relevance to the park it was butting up against, every hotel constructed or even planned represented a land in the Magic Kingdom – The Contemporary for Tomorrowland, The Polynesian, The Asian, and The Persian hotels for Adventureland, Fort Wilderness and the Wilderness Lodge for Frontierland, and the Grand Floridian for Main Street. I don’t exactly know where the never-built Venetian hotel was supposed to fit into this, but I digress.

All of it has purpose, all of it fits together seamlessly. There are no scale issues either. Keep in mind that the Contemporary and Cinderella’s Castle are only 200 feet tall, and the Seven Seas Lagoon is not that large of a lake. Forced perspective of the islands that Disney built along with the lagoon, the scale consistency and lack of any reference point otherwise, makes these icons, or Walt’s term “weenie,” seem larger than life.

In addition, the infrastructure is superb. As you can see from the map, the roadways are not in the way, they’re spare – and when the park opened, there were no traffic lights. The goal was to have none on the property, obviously this changed over time. The Central Shops, power plant, water treatment plant, monorail and train roundhouses, and so on are tucked far beyond the berm and kept from the eye. The monorail was constructed with long straightaways – one for the Asian, the plot that ended up being the Grand Floridian, and one for the Venetian (note the long straightaway from the Contemporary to the TTC).

This is Disney planning and spatial usage at its height. In the future I’ll go into more detail about all I’ve mentioned, and move on to other parts of the properties, and see where things started to go South. Until then, this is Beacon Joe signing off.

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