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A friend sent along this video, and I thought it was pretty great. These two guys put this together for their school’s band concert. Check it out:

It’s almost like this amazing music and the attractions from which they come had a timeless, cross-generational appeal or something…

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Oh.

Oh.

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The Spaceship Earth Story

Part and parcel of Disney’s pride in its new theme park, Epcot Center, was the seemingly endless amount of documentation the park received when it opened in 1982. Not only did Disney want to promote its new and exciting offering, but each attraction had a major sponsor; these were the companies who had paid for the park, and it was important to keep them happy by giving each pavilion the PR treatment.

This wonderful little video seeks to present the tale of Spaceship Earth, the park’s visual icon. Is it a machine? A vehicle? A monument? You’ll find out.

There’s a lot to look for in this, aside from some really nice talking heads with various WED and PICO personnel. There are some great aerial shots of the new park; aside from the big empty lot where The Living Seas would later be built, you can make out a number of small infrastructure differences from today. The “rose garden” path from Journey into Imagination into World Showcase had not been built yet; neither had the path from World of Motion to the Odyssey. Look for the satellite dishes on the lawn next to CommuniCore East! And, of course, there’s the beautiful original entrance plaza, with its signature fountain.

The video features a brief but nice walkthrough of the attraction’s development, from early consultations with the Annenberg School at USC through to the engineering process. Ray Bradbury speaks a little of the park’s inspiration, although I find his version of history to be, perhaps, ever so slightly embellished. Keep an eye out for the Nautilus submarine in Ray’s office; that submarine – along with a similar amount of clutter – was still in his home study as of 2009. It was sitting in the corner, propped up against the wall; everyone has a Nautilus sitting around, right?

It’s neat to hear Claudio Mazzoli speak about the creation of that mural which we all have probably walked past a million times over the years. And some peeks inside the ride itself offer a look at the original 1982 staging; the Renaissance scene, in particular, has been changed over the years.

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Chronicling Walt Disney World

I think one reason fans of a certain age bristle at the overly-heavy “dreams” and “wishes” slant of modern Disney marketing is that we grew up in a much different age. In the 1980s and before, Disney certainly promoted its “magical” aspects, but it also focused heavily on the real-world wonders behind its films and theme parks. Television specials about the parks tended to boast less about the more fantastic elements of their offerings in lieu of underscoring the ruthless efficiency and technical wizardry with which they were presented.

It wasn’t all about childhood wishes and “limited time magic” before the kiddies grow up; it was about the marvels of Audio-Animatronics, or the wonders of a Swedish pneumatic trash removal system, or futuristic methods of transportation that were emission-free and used no moving parts. Disney relished showing off a highly efficient operation full of expertly-trained individuals who took pride in the elite quality of their offerings. Those smiling cast members didn’t happen by accident; they were the result of years of concerted effort in the science of play. And what happened behind the scenes was at least as extraordinary and impressive as what happened on-stage.

Another aspect of coverage in the 1980s especially was the unexpected and overwhelming flourishing of the Disney empire. Disney was growing by leaps and bounds, expanding its parks to an unprecedented degree, but it was also expanding wildly in the realms of animation, live-action film, television, and consumer products. It had also, at last, finally started to mine its vast archive of material, making long-unseen treasures available on the Disney Channel, network anthology programs, and syndicated broadcasts. It was a golden era for the Disney fan.

You can get a feel for this odd nexus in Disney history by watching this program from 1988. It aired on A&E, and judging from the video, that cable network was just about as different from today as Disney was. This video was an episode of the program Chronicle, a Boston-based newsmagazine that, amazingly, still seems to be in production today.

Take a look, and get a feel of what it was like back when you could just wander the park and have old ladies walk into frame:

Dick Nunis!! I totally let the Nunis part be a surprise. Didn’t want to spoil you. How casually he strides the park, descending stairs and avoiding old ladies!

There’s something quaint about the whole affair, from the vaguely uninformed news anchors to the weirdly inappropriate Oz intro. It certainly was a different era – one-day admission for two adults and one child was $61.50! That’s about 2/3rds of the current price for a single adult. And today you don’t even get old ladies wandering into frame. Another indicator of a bygone age: they actually admit that adults like to come into the park on their own!

There is some great behind-the-scenes footage in this, which you rarely see elsewhere. There’s a look inside the laundry, a brief clip of the pyrolysis energy plant, and a look inside the central shops where they were working on the Monorails. While these are Mark IV monorails we see, this was during a time when they were beginning to roll out the Mark VI trains at Walt Disney World. There’s no mention of the still-under-construction Disney-MGM Studios, and barely a mention of Epcot Center, although we do get the pleasure of a brief interview with Imagineer Kym Murphy!

What’s truly amazing is in the later part of the episode, when they discuss Disney’s move to exploit their back catalog through syndication and the long-beloved Sunday night anthology program. As a kid who grew up with the Disney Sunday Movie and, later, The Magical World of Disney, one can’t help but feel that this is an opportunity that the modern Disney company has failed to exploit. The same could be said for syndicated programming – after all, when a kid grows up watching an hour of vintage Disney programming every day at 5 as I did, it kind of worms its way into your brain after a while.

Not that it’s obvious in my case, I’m sure.

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Polynesian Princess, They Call Me

Some time ago, we wrote about a rather amazing phenomenon from Walt Disney World’s past: the tearoom fashion modeling trend found at Lake Buena Vista in the 1970s. But even before the Lake Buena Vista Village was constructed, these swanky luncheons were taking place at the Polynesian Village Resort.

In August of 1972, The Eyes & Ears of Walt Disney World profiled the resort’s Sign and Pictorial Shop. Located in the North Service Area, near the Magic Kingdom, this shop provided handcrafted signs and artwork for a variety of Walt Disney World facilities. And look what they were working on:

"Supervisor John Rushing (right) tells EYES & EARS, 'We carefully check everything that leaves the shop, looking closely for color, workmanship and detail.' John and Pete Naughtin make a few last-minute changes catching details that most eyes wouldn't even spot!" - Eyes & Ears, 1972

“Supervisor John Rushing (right) tells EYES & EARS, “We carefully check everything that leaves the shop, looking closely for color, workmanship and detail.” John and Pete Naughtin make a few last-minute changes catching details that most eyes wouldn’t even spot!” – Eyes & Ears, 1972

Informal modeling!!

Yes, ladies, you too can witness the latest in island fashions from Polynesian Princess daily from noon ’til two! How much would I love a poster of that sign? So, so much.

Not as much as I’d like this one, though:

"'A steady hand is something I've got to keep,' says John Barnett who must carefully paint English letters - with a Chinese flair no less! John's sign is a gold leaf display whose center portion is 23 Kt. gold. Lettering takes nearly four hours and if a mistake is made, this is one sign that can't be thrown out!" - Eyes & Ears, 1972

“‘A steady hand is something I’ve got to keep,’ says John barnett who must carefully paint English letters – with a Chinese flair no less! John’s sign is a gold leaf display whose center portion is 23 Kt. gold. Lettering takes nearly four hours and if a mistake is made, this is one sign that can’t be thrown out!” – Eyes & Ears, 1972

Why yes, that’s a sign for the Eastern Winds – the fabled Chinese junk once moored at the Polynesian Resort’s dock. As the most exotic craft on the Seven Seas Lagoon, the Eastern Winds provided the perfect locale for late-night cocktail cruises and the most spectacular viewing location for the Electrical Water Pageant or the Fantasy in the Sky Fireworks.

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