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Where’s Walt? June, 1935

Walt and Lillian Disney, London, 1935Walt and Lillian Disney with unnamed friend, London, 1935. (AP Photo)

Our inaugural look back at the adventures of Walt Disney and family comes from June 12th, 1935, and finds Walt and his wife Lillian in London. The Disneys, posing here with Walt’s most famous employee, are standing on the roof of the Grosvenor House. The caption at the time stated wryly, “The couple are in London on a honeymoon, although they have been married for ten years.”

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Your Friday Night What The What?!?!

OK, so I realize I had to work all day unlike you jive turkeys, so I just found out about this…

DreamWorks Logo

This morning Nikki Finke broke the story (heck of a scoop, by the way), which has since been confirmed, that if things continue according to plan Disney will announce on Monday that it has signed a deal to distribute films for Steven Spielberg’s Dreamworks studio.

Ok, I didn’t expect that one.

The story, in short:

Jeff Katzenberg leaves Disney in 1994 thanks to Michael “I hate the little midget” Eisner’s managerial shenanigans. Katzenberg teams up with Spielberg and music maven David Geffen to form DreamWorks SKG, intended to be the first new Hollywood studio in decades. They announce plans to build a high-tech production lot and animation studio. Things don’t quite work out that way.

Money issues persist over the years, although DreamWorks does luck into a distribution deal with PDI, which makes Shrek and subsequently a great deal of money. The more ambitious studio-building plans fade over the years, and in 2006 DreamWorks is sold to Viacom/Paramount. Lots of arcane business deals take place; the animation division is spun off into its own separately-traded company and film rights are auctioned off. DreamWorks and Paramount don’t get along, and in 2008 Spielberg and friends sign a financing deal with Reliance ADA Group, a Bollywood media conglomerate.

The deal with the Indian company would allow DreamWorks to spin itself back away from Paramount into an independent production company, but they’d still need someone to distribute their films. In mid- to late-2008 it was widely known that Disney was vying for a deal, but DreamWorks eventually chose Universal as a partner due to Spielberg’s long history with the studio. Finke claims that Geffen preferred Disney and even Fox at the time, but Spielberg’s nostalgia won the day and an agreement was reached last fall.

An agreement, but not a deal. As the year concluded, DreamWorks’ financial situation worsened. When the global credit markets dried up, DreamWorks couldn’t borrow enough money to consummate their deal with Reliance ADA and became more demanding in their negotiations with Universal. Universal, not immune to the worldwide financial woes, could not keep up with DreamWorks’ constantly shifting conditions and tempers frayed. Then, apparently, Universal discovered that DreamWorks had secretly sent emissaries to try and negotiate better terms with Disney. This was apparently the last straw for Universal, who subsequently called off the wedding and cleared the field for a waiting Disney.

This is all not only very surprising but fairly bizarre. Disney has been very concerned with cutting production costs in recent years (hence the ditching of Walden Media and the Narnia franchise), and have tried to pare their release schedule down to the bare bones. Iger’s professed goal was a small slate of films each year, with only the best, family-friendly and high-profit concepts sent into production. Now they’re hooking up with DreamWorks, whose live-action fare doesn’t typically fit into the Disney mold and whose pictures will clutter up the release schedule. Add to this that DreamWorks had some fairly steep demands in their negotiations with Universal, and it’s hard to imagine Disney just handing over several hundred million dollars upfront along with sweetheart distribution fees and whatever else Spielberg might require.

Not that I’m complaining…

So aside from the sheer insanity of all this, why the coverage here? Well, it’s possible that this deal with have some interesting side effects. As Finke mentions, Spielberg has some interest in the theme park field and seems keen to get involved. As a life-long Disney fan (Walt Disney fan, more importantly), Spielberg might be able to bring a bit of creative juice (and funding) to the parks. And since Dreamworks Animation’s distribution remains with Paramount we’ll be saved from Shrek pooting around in Fantasyland.

Also intriguing is the possibility that one of the several abandoned Roger Rabbit projects might see the light of day. The original film was a co-production between Disney and Spielberg’s Amblin Entertainment, and any use of Roger over the years required the assent of both parties. This is why the character, once so prominent, basically vanished once DreamWorks was founded as a competitor to Disney. Several ideas for sequels were developed over the years but went nowhere due to corporate indifference and conflict. Can Bob Iger, the man who brought Oswald the Lucky Rabbit back into the Disney fold after 80 years, recover another lapine prodigal? We shall see…

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Ten Wishes for the New Year: #10

For the start of the new year, I had hoped to do one of those “top ten” lists of things I’d like to see happen in the Disney parks – and especially Walt Disney World – in 2009. Not that I would deem any of my wishes likely to be fulfilled, and in many cases it’s obvious that they’re complete non-starters as far as management is concerned, but I’m a fan of lists and unsolicited criticism so why not?

So let’s pretend that it’s not already February, and that I’ve done this in a remotely timely fashion. Here’s the first of ten things that I’d like to see at the Disney parks in 2009:

#10 – New Attractions

Tokyo DisneySea 20,000 Leagues Under the SeaMight this DisneySea attraction actually make its way to Animal Kingdom?

Now, I know that a theme park fan listing “new attractions” among their wishes is like someone naming “food” or “oxygen” as something they’d like to see in the new year. But we’re picky here at the Progress City Bureau of Land Management, and we don’t just drop rides into the parks willy-nilly. In fact, despite a fairly continuous “drip-drip” of attractions over the last several years, many areas of the parks are still in need of additions and revitalization.

Our top nominee for this dubious honor is World Showcase at EPCOT Center, which hasn’t seen a new pavilion for – wait for it – 21 years. Yes, you are old and so am I. There are people who voted in the last election who have never seen an addition to World Showcase in their lifetime. There are soldiers serving in Iraq now who are three years younger than the Maelstrom. That’s how static Showcase has become.

Now, personally I love Showcase. Since the demise of the great Future World pavilions it’s become my favorite half of the park. And, to be fair, they’ve kept it fairly fresh over the years by adding some quality live entertainment and a variety of seasonal festivals. But there’s been no actual new construction in that time, and when you consider that there have been at least seven new national pavilions “officially” announced since the park’s opening that have never seen the light of day (I count Equatorial Africa, Israel, Spain, Venezuela, Russia, Denmark, and Switzerland), it all starts to seem like an anti-climax.

EPCOT Equatorial Africa renderingComing soon – Equatorial Africa! Opening 1983!

A great deal of this has to do with Disney’s rather harsh sponsorship requirements for the national pavilions. Finding an interested party willing to sign a long term contract with Disney to pony up the cash for building, staffing and maintaining a pavilion is dicey even in the best of economic times. Even then, there are political and ethical concerns – Equatorial Africa fell through when the only willing sponsors Disney could find were based in then-apartheid South Africa.

Israel Pavilion Coming Soon SignNo? How about an Israel pavilion? Coming soon in 1983!

Yet even when Disney finds willing parties, plans often fall through. Negotiations with various Soviet and Russian governments have taken place on and off since at least 1978. A deal was actually signed with Spain in 1981, and those negotiations continued to take place as recently as 2002. Around that same time, South Korean investors approached Disney in the hopes of sponsoring a pavilion and were publicly rebuffed.

EPCOT Russia pavilion nighttime renderingSo that’s a no on the Russia thing?

So after decades of stagnation, what can be done to revitalize World Showcase? Well, for one thing it’s obvious that Disney should find ways to amend their sponsorship agreements to be less demanding on the host nations. The pavilion sponsorships are real sweetheart deals for Disney, and while I don’t suggest they give away the shop for free, it might spur development to find ways to reduce the startup cost for sponsors.

EPCOT Spain pavilion coming soon signBut… we signed this deal for the Spain pavilion! Coming soon!

More importantly, there needs to be someone at Disney who is excited about the potential of World Showcase, and who can get out there and really sell it to the host nations and their various corporations. Perhaps they should hire some sort of goodwill ambassador, who can travel the world to help drum up support for their efforts. Or, as it was suggested last year when Disney entered the Russian television market, pavilion sponsorships can be rolled into larger, cross-corporate negotiations.

EPCOT Swiss pavilion renderingAnd then Eisner promised us Switzerland…

In any case, something most be done. While the rumors persist that Disney has in fact found a sponsor for a new attraction to fill the perpetually empty show building behind the Japan pavilion, nothing has been announced. Even a new attraction there would do nothing to fill the empty expansion pads in the rest of World Showcase, or do anything to help hide the fact that several significant nations are still missing from EPCOT’s international lineup.

EPCOT Venezuela pavilion renderingAnd Venezuela is long forgotten.

There are other sites that also require new attractions. A glaring case is the former Wonders of Life pavilion, which now sits completely empty. While I have my own pet project that I would put here, in general I believe that something is preferable to nothing and this space should be filled by something new, exciting and visionary.

The Magic Kingdom’s Tomorrowland needs new attractions, but then again so do the Tomorrowlands in Anaheim, Paris and Tokyo. No clones, please. And although the 17-year span since the Kingdom last received an E-ticket might end if the Little Mermaid attraction rumors prove true, they still have to announce and build it before the drought is officially over. Paris’s park has been long dormant as well, and could use – at last – that Splash Mountain or Indiana Jones attraction to fill those empty expansion pads.

Disneyland Paris Adventureland Indiana Jones SiteEmpty chairs at empty tables: A plot of Disneyland Paris’s currently-empty Adventureland expansion pad, originally intended for an Indiana Jones dark ride.

Hollywood Studios needs a great deal of attention and expansion – start by dumping Aladdin’s Flying Carpets and the Monsters, Inc. Laugh Floor there, and then build some real attractions. Go ahead and announce the Monsters, Inc. coaster – you can find a sponsor for it later. And the park’s ugly cousin, the Disney Studios Paris, needs far more new expansion than a few fun-fair rides dolled up in Toy Story theming – it needs an overhaul far vaster than that planned for California Adventure. These parks need atmosphere – that indescribable sense of place that is so potent in Disneyland yet so missing from the tarmac and prefab design of the later parks. Sometimes a well-themed area is an attraction in and of itself. And more than anything, these third-generation half-parks need the lavish, animatronic-heavy dark ride spectaculars that Disney used to be known for.

California Adventure Plaza Concept ArtCalifornia Adventure’s extreme thematic makeover – a good start

Animal Kingdom, though redolent in atmosphere, needs dark rides as well, DisneySea needs to expand without selling out, and Hong Kong Disneyland… well, finish it first and then we’ll talk.

You’ll notice that all of my suggestions are for “in-fill” attractions – we don’t need new gates at any of the resorts right now. There’s so much unfinished business in each and every Disney park that it would be unfortunate to spend huge sums on new developments when expansion pads and shuttered attractions still sit empty.

Like the Adventurer’s Club. Shame, oh shame on you, Jay Rasulo.

While even a fourth of my suggestions probably prices me way out of the Mouse’s spending targets, there are a number of expansion rumors out there which, if true, suggest that they are at least somewhat willing to take out their checkbook. Think of it as economic stimulus, Team Disney – ask not what your countries can do for you, but what you can do to build more countries.

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Progress City Desktops – World Showcase, Part I

World Showcase Desktop Background

One of the first things I wanted to do when I started this site was to share some great Disney concept art that I’ve scanned and cleaned up over the years to make desktop backgrounds. Finally I seem to have gotten around to it. The first desktop I have for you is a piece of art that was created to promote World Showcase in 1982. It appeared in a brochure for EPCOT Center, in an era when Disney’s promotional materials were far more evocative and artistic than the garish, Photoshopped disasters they are today.

In any case, the artwork is reminiscent of all the wonderful conceptual work done for EPCOT Center at the time.

One caveat: Because I didn’t want to be ridiculous, I didn’t watermark or “brand” these backgrounds in any way. However, they did take me an absurdly long time to slap together, so if you share or redistribute them in any way please give a bit of credit and a link to your pals here at Progress City.

Click to download:

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Delayed Gratification

Walt Disney and the 1964 World's Fair

Doh!

As 2009 finds new and fascinating ways to stick it to me, news has just emerged that the impending release of the 5-disc CD set, Walt Disney and the 1964 World’s Fair, has been delayed due to production issues. Print samples of the packaging proved unsatisfactory, and they’re having to scrap that work and start over. Producer Randy Thornton promises that the release is impending, but could be delayed as much as five weeks.

Buy hey, after nine years, what’s five weeks?

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