A rare ray of sunshine appeared this week for Disneyland Paris, which has spent most of the last twenty years unable to finance expansion because of a domino effect of economic badness. The resort’s second gate, the Walt Disney Studios park, bears the unhappy distinction of being officially The Worst Disney Park In The World, but its attempts to improve itself have been hindered by a lack of sufficient funds.
Happy news, then, that the resort has secured a revolving line of credit from the Walt Disney Company in the amount of €150 million. This is in addition to an existing and yet-untapped credit line of €100 million, making it no coincidence that Euro Disney S.C.A. simultaneously gained permission from its existing lenders to make new investments in the amount of €250 million (currently around $317 million).
This new cash infusion is allegedly earmarked for a new ride based on the film Ratatouille, which has been long planned and for which permits were approved last year. Whether or not Disney has more tricks up its sleeve for this non-insignificant amount is unknown; aside from the Studio park, it’s been a very long time since Disneyland Paris itself has received meaningful new investment. At the very least, the resort is getting something new, and that’s great news.
On his discussion thread at WDWMagic, Eddie Sotto posted a link to this video from 1965’s The Jack Benny Hour. In an attempt to take his entire studio audience to Disneyland, the notoriously stingy Benny heads to Walt’s office to hit him up for some free tickets. There’s an animatronic bird, a tiger, and much wackiness. And if that doesn’t sell you, there’s 1965-era Elke Sommer. So, that.
The first thing that always jumps out to me is what a natural “ham” Walt is; as a child he always wanted to be an actor, and he might have actually been a pretty good one. He has the Midwest-deadpan thing going for him, but his timing is really quite good – in fact, he’s better than Benny, who admittedly I’ve never “gotten”. Benny hams it up and plays to the camera, but Walt manages to hit the right notes perfectly.
You have to love how smooth Walt is at promotion. He stages the bit so that it starts with product placement for the then-upcoming That Darn Cat – “The title of the picture is important! You gotta punch it!” You sure do, Walt! Well played. He also drops Mary Poppins in there. And while he doesn’t like to talk about the charity work that Disneyland does, he apparently does keep huge bricks of tickets in his desk just in case!
Just another day at the studio, I suppose. No wonder kids of this era thought Walt was just this side of Santa Claus – he hangs out in his huge office with magical birds, tigers roaming the halls, and deskfulls of free Disneyland tickets. What a life!
While Benny managed to make out like a bandit on this visit, Walt had managed to get some money out of him previously; when Walt’s Celebrity Sports Center opened near Denver in 1960, one of its investors was the tightfisted Benny.
There’s been a lot of thought lately directed towards the problems facing the Disney theme parks, and how – if possible – they can be resolved. One rather shocking discovery I’ve made, and which I plan on addressing more in the future, is that a tide seems to have turned against Disney on the fan message boards and social media. Fan boards have typically been on the sunny side in the past, happy to accept whatever Disney hands down, but this seems to have changed. Sometimes it seems that folks like myself, who have tended to view the company with a critical eye and were often branded cranks in the past, have become among the least despondent members of fandom.
This has taken me by surprise, and I’ve been at a loss to really explain it. As I’ve said, it’s an odd time to be a critic, with the company willing to spend once more but making dubious choices in the theming of these multi-million dollar expansions. Even more baffling is Walt Disney World, my personal area of greatest interest, which seems to rise and fall on a daily basis; depending on which subject you’re addressing – attractions, entertainment, foods, transportation – you can waver between optimistic and despondent on an hourly basis.
Big new Fantasyland plans? Yay! Decaying Tomorrowland? Boo! Tasty new burgers at Pecos Bill? Yay! Shortened hours and generic chicken nuggets at Columbia Harbour House? Boo! Classy new Town Square Theater? Yay! The hideous Stitch stage blaring Cotton Eye Joe in Tomorrowland? Boo!
It’s hard to keep track. And it’s hard to really chart the progress of the resort when you have snazzy new rockwork going up in Fantasyland but monorails falling apart outside the gates. What is most baffling is that many of us feel that the absolute nadir of the Magic Kingdom is behind us, and the park has seen an overall rise in quality and maintenance over the last few years. While it is far, far from its historical peak, of course, it’s at least better – better than when Under New Management festered in Adventureland, or the Exposition Hall remained empty, or the 20,000 Leagues lagoon sat stagnant and filled with floating garbage. The Magic Kingdom is better off, and the other parks are certainly no worse off than they were five years ago, so why are so many people worried? And why does the future quality of the resort feel like such a dicey proposition?
Video leaked today of a presentation during which Imagineer Kevin Rafferty shows a pre-visualization video detailing a full, computer-generated ridethrough of the upcoming Radiator Springs Racers attraction for California Adventure.
Obviously, spoilers await…
It looks fun. And that just underscores what we’ve recently discussed – it’s a lengthy, detailed, elaborate, technically challenging and fun-looking ride… based on Cars. In a giant land based on Cars. Taking up a huge portion of a park that is called “California Adventure.” And so, no matter how much money, talent and effort was expended… it’s still Cars.
But hey, no poop jokes! At least the franchise is taking a turn for the classy.
One hallmark of Walt Disney World since its very earliest inception is the ambitious master plan; the sweeping, grand vision which is slowly whittled away and watered down once the practicalities of construction and the vagaries of history take their toll. While the construction of the resort in the late 1960s involved a massive amount of terraforming and infrastructure creation, which resulted in miles of newly-dug drainage canals and the dredging of an entire lagoon in front of the Magic Kingdom, there were other major landscaping projects that never came to be.
This is apparent as far back as the public’s first glimpse of the Florida Project, with Walt’s “EPCOT film” from 1966. The large map of property, which Walt famously stands in front of during the film, depicts a Bay Lake that has been artificially expanded so that it reaches all the way to where EPCOT Center now stands. Had this plan come to fruition, it could possibly have covered the area now occupied by Fort Wilderness, Port Orleans and Dixie Landings.
Over the years, other plans were hatched to enlarge and link the small natural bodies of water on property. At one point, what is now the Sassagoula River was to be widened so as to link a series of recreational areas north of the Lake Buena Vista village; even EPCOT Center’s World Showcase Lagoon was once designed to extend beyond the current row of pavilions into a larger lagoon beyond.
So while it’s fascinating, it’s not completely jarring to take a look at early plans for the Disney project…
To find obscure, forgotten zoning details like this:
The “lagoon” labeled here is what is now the Seven Seas Lagoon; you can also see the site of the Polynesian resort hotel. Of the two sites labeled “future hotel site”, the rightmost was once earmarked for the Venetian resort and the square site to the left, where the Grand Floridian resort sits today, was intended for the planned Asian resort.
What’s of interest is the area behind the Asian site, labeled as “future lagoon extension.” It’s odd to think that the Seven Seas Lagoon could have theoretically been extended to wrap around the Asian resort, north of what is now the Grand Floridian’s parking lots and covering what is now the site of the Floridian’s convention center. Of course there are many zoning and land-use provisions hidden in the depths of the Reedy Creek Improvement District’s many master plans from years past, and I’ve never seen any suggestion that Disney had seriously considered extending the lagoon.
From the Progress City archives comes this collection of 33 tall tales and true from Disney history. Available in paperback, hardback, and ebook formats.
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