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He’s Back!

Good news, everyone!

Under the cover of night, a ray of sunshine landed in Adventureland at Walt Disney World and the Florida Orange Bird reappeared at the Sunshine Tree Terrace, from which he had been absent for many years.

First, please watch:

So with the Orange Bird back and spiffed up, and Citrus Swirls back on tap, the Sunshine Tree Terrace is once more a must-stop destination for citrus-friendly visitors. What a change from a few months ago, when you could only get plain vanilla soft-serve and Cokes there! Hopefully this will reap dividends for the Mouse and management will realize that a differentiated slate of unique offerings throughout the parks benefit everyone in the long run. I can’t help but think those lines of people queued at the Sunshine Tree Terrace back up our argument: It’s possible to do things the right way and make money at the same time!

As we’ve talked about in the past, these small victories are always the result of hard work on the inside by people going out of their way to bring back little touches of the “real” Walt Disney World. After so many years of things being removed and lost without replacement, some of this texture is returning. So kudos to everyone involved! I can’t wait to see what’s next.

That begs a question – what would you like to see make a return to the parks next? What lost detail, snack, character or bit of atmosphere would you like back? Dreamfinder? Teriyaki burgers? The Penny Arcade? Let us know – and most importantly, let Disney know!

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Hardly A Hoop, Not Yet A Holler

"Your bathing suit might catch on something on the way down..."

In February of 1976, River Country was hardly a water jamboree. It was still under construction, as we see from this picture which was published on February 27th.

Well, “thar’s bin aplenty goin’ up” in River Country since our last status report. The photo below may look like the skeleton structure from the “Wild Mouse” at amusement parks or some kind of strange staircase … but it’s actually the initial construction on the “belly slides” at River Country.

River Country would go on to open June 20, 1976 (with a guest appearance by presidential daughter Susan Ford!) and, sadly, would close forever in November of 2001. It continues to sit there, disused and overgrown, today. And, weirdly, just a few months after River Country’s closure, Walt Disney World would get one of those “amusement park” Wild Mouse coasters in the form of Primeval Whirl at Animal Kingdom. Coincidence? Believe it… or not!

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Sub For One…

Not pictured: Tom 1.0

I just happened upon this picture of a “solosub” undergoing animation testing at WED Enterprises in January 1983. Later that year it would be packed and shipped to Orlando for installation in Horizons, which opened that October.

All I’m saying is that it’s been almost thirty years since the ride opened, and more than a decade since it closed, and I still want one of these suckers really bad.

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Mission: Orange

As Orange Bird mania sweeps the nation, we felt it necessary to point out this sterling bit of cultural anthropology by Hoot n’ Chief over at Fresh Roasted Corn. Back in the 90s, as the vestiges of old Florida began to fade in earnest, they took a fantastic voyage through the wilds of central Florida to uncover the last remnants of their citrusy friend. The results, unsurprisingly, were entertaining…

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A Walt Disney World Fever Dream

Long ago, we old people had something called “film”. Film was how we made pictures move, and some of us had machines called “projectors” that we would use at home to make the pictures appear on a wall or bedsheet.

Before the era of smartphone video, and even up to the advent of the VHS video era, Disney actually sold souvenir filmstrips in the park. Films in the “Super 8” 8mm format – some of them with sound! – were created that showed off the Florida resort by day and by night. What’s great about these films is seeing how Disney chose to depict itself in those days; it’s an experience far different from that of today. Films often tended to show off the resort itself, hardly even dwelling on the theme park. Others, like the one below, focused on the parks but took time to single out the distinctive shopping opportunities and other distractions. Who could imagine a video today taking time to show how kids would love all the special, unique shops on Main Street, or shopping for antiques in Liberty Square? There’s even a trip to the “old timey photo” location they once had on Main Street. Why isn’t this there anymore? I’d love a picture of myself on the back of the fake Walt Disney World Railroad.

As with most filmstrips that have emerged, it’s not in fantastic condition. The inks had faded so that it was originally bright red throughout, but I’ve color corrected as much as possible for a thirty year old faded print that was shot on 8mm film at night. Watch, then we’ll discuss:

I love this film because it’s just so strange – like a weird, unsettling dream. The conceit of “falling asleep and having an out of body adventure” is well-worn, but who can say that this wasn’t one of their fantasies as a kid? To hide out until the park closed, and have the entire Magic Kingdom to yourself? To run around and do everything you wanted, whenever you wanted?

Of course the “in the park alone” conceit fades in and out, as other hordes of guests appear at random only to disappear again. Are they ghosts? The souls of the accursed? They do like shopping, and carousels, at the very least.

I also love the use of the klieg lights and fog for effect. Seeing the castle gateway light up like that would be pretty rad, and one of my favorite shots ever is Tigger fleeing the Haunted Mansion as the little girl emerges from the giant cloud of fog. Talk about atmosphere!

Then there are the characters. Mickey doesn’t come off too weird, but Pinocchio sure does. What’s with the arm movement he does… twice? I love that Brer Bear gets an appearance long before Splash Mountain come onto the scene, and Tigger is streaking through Frontierland. “Goofy is driving??”

Between the weird characters, the eliding of time and space, and the very atypical, strangely jaunty music that plays throughout, it’s kind of a strange experience. But it certainly is effective – I can imagine watching this over and over as a kid, and pining for an adventure like that.

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