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By Michael - December 2nd, 2011
A subject that comes up often when discussing EPCOT of old is the strange giant dolls that used to roam the promenade around World Showcase before characters were allowed in the parks. Disney wanted to offer a completely different theme park experience at EPCOT; if people wanted characters, went the thinking, they could [...]
By Michael - November 12th, 2011
The next time you’re in the Italy pavilion at EPCOT…
Don’t blink.
DON’T
BLINK [...]
By Michael - September 1st, 2011
 Filmmakers attend to the massive Sea Castle set for the Horizons "Choose Your Future" finale
The final story in the General Electric promotional booklet for Horizons concerns the wizards of WED that brought the attraction to life. Without further ado…
Continue reading The Horizons Story, Part III: Disney’s House Of Magic
By Michael - July 27th, 2011

The 1983 General Electric promotional booklet for Horizons contains a brief feature about artist Robert McCall. McCall, a renowned illustrator of science fiction and science fact, was a constant presence in space-related publications during the 1960s, 70s, and 80s. His highly-detailed work helped define the look of futurism in that period, so it was only natural that he be involved in the EPCOT Center project. For Horizons, he painted what has become one of the most iconic pieces of artwork in the park’s history, The Prologue and the Promise – a massive, 19-by-60 foot mural that occupied the pavilion’s exit area for a few short years. Perhaps it’s a tribute to McCall’s piece that it’s so well remembered today, when it only existed for a brief time before being removed to make room for a new display that more directly referenced sponsor General Electric.
Continue reading The Horizons Story, Part II: Robert McCall
By Michael - July 24th, 2011

Corporate sponsorships had gone a great way towards paying for EPCOT Center when it opened in 1982, and with so many tens of millions of dollars apiece sunk into the new park the sponsor companies were keen to recoup their investment. It’s remarkable how extensively these corporations tied their identities into EPCOT; “their” attractions showed up in annual reports to investors, advertisements, and other publicity campaigns. Sponsorships were often a prestige line-item for corporate management teams, and perhaps after shelling out so much of their investors’ money to underwrite theme park attractions they felt it necessary to illustrate just what those dollars had purchased.
Continue reading The Horizons Story, Part I
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Four Decades of Magic

Essays about the first forty years of Walt Disney World, including two pieces by yours truly. Available in print and for Kindle.
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