Recent Comments

Archives

Contribute to Our Research

Let It Snow… Queen

Storyboard for The Snow QueenStoryboard from Disney’s previous attempt to animate The Snow Queen

With the wonderful white Christmas that’s made so many of our lives unexpectedly interesting over this pre-holiday weekend, I thought it might be apropos to take another look at The Snow Queen. We’ve talked a little about the history of this project, which is now back in development at Disney. The studio has taken several stabs at animating the Hans Christian Andersen tale over the years, most recently from around 2000-2003.

Storyboard for The Snow Queen by Woody WoodmanStoryboard sketches by story artist Woody Woodman

Selections of story art for The Snow QueenSadly, we don’t know a lot about those earlier versions of The Snow Queen. Not a lot has leaked out over the years since the project was canceled, and what art exists online consists solely of some character concepts by veteran artist Harald Siepermann and some story sketches by Woody Woodman.

Woodman’s sketches show a conversation between a penguin and a polar bear – two characters that could possibly be the film’s comedic sidekick characters. A larger storyboard image, shown at the top of this article and whose artist is unknown, shows a scene featuring the Snow Queen herself and her retinue. The scene also appears to have a distinctly comedic tone, as a seemingly exasperated Snow Queen deals with her army of snowmen and what appear to be trolls. One snowman is angry, possibly because he knows that his film is going to be taken out of production.

Snow Queen concept art by Harald SiepermannConcept art for The Snow Queen by artist Harald Siepermann

Siepermann’s wonderful art spans a range of possible looks for the Queen herself, from classical figures reminiscent of Alphonse Mucha’s work to far more cartoony designs. As you can see in the storyboard samples, it appears that they eventually decided to go with the more exaggerated, cartoonish look for the character. More of Siepermann’s design ideas for the Snow Queen can be seen below, but you’re best served by visiting his great blog and checking out his designs yourself.

But while you’re looking at the artwork, you’ll need some inspirational music. Thankfully now we not only know what Snow Queen would have looked like, but also possibly what it would have sounded like. After development on the film ended, it was announced that Alan Menken was developing a stage musical for Tokyo Disneyland based on the same story. It’s possible that some of these song ideas were adapted from work he’d done for the animated film; sadly, work on the stage musical was canceled about the time that the film was revived by the new management at Disney and it’s unknown if we’ll ever hear those songs. Except for one.

In September of 2005, the Kaufman Center’s Merkin Hall in New York City presented a tribute to Alan Menken. “Part of Your World: The Music of Alan Menken” presented an evening of Menken’s music performed by a number of prominent Broadway vocalists, many of whom had worked with Menken previously. One of the numbers, performed by Brian d’Arcy James, was Love Can’t Be Denied – one of Menken’s songs then being composed for The Snow Queen. The song can be heard below – it’s a rare listen at what could have been.

[Audio clip: view full post to listen]

Continue reading Let It Snow… Queen

Remy et Oscar

This morning, the AMPAS announced this year’s Academy Award nominees. Ratatouille walked away with five nominations, including Best Animated Feature. Its competition in this category will be Sony’s Surf’s Up and Persepolis, the latter of which is considered to be Ratatouille‘s strongest competitor. Many (including myself) have argued that Pixar’s film was worthy of [...]

Born On The Bayou

The Princess and the Frog

Disney has released its 2007 annual report and, while it may be the dullest and least informative annual report ever (how bare must your calendar be if you have to slap High School Musical on the cover? You couldn’t even give us some DCA renderings?), it at least has a nice new image from The Princess and the Frog:

Tiana on balcony

Original Maddy portraitThis 2009 animated release marks the first return to traditional animation for Disney since 2004′s execrable Home On The Range and is the first true animated fairy tale from the studio since Beauty and the Beast. So far, most of the film’s buzz has resulted from publicity about the lead character, Tiana, being the first black Disney “princess”. While admittedly the whole “Disney princess” marketing jihad gives me the galloping creeps, Tiana is a nice change of pace and so far the limited amount of conceptual art to be released from the film has been intriguing.

Far more interesting to me than the possible demographic breakthroughs of the film, though, are the potentials presented by its setting. Set in New Orleans during the Jazz Age, The Princess and the Frog (wow, it would be so much easier to type its previous title, The Frog Princess) promises a world of French Quarter elegance and mystical bayous, as well as “a soulful singing crocodile, voodoo spells and Cajun charm at every turn.” Done well, this could be a film dripping with atmosphere from smoky jazz clubs and arcane voodoo ritual in the decadent decay of the Crescent City.

Continue reading Born On The Bayou

It’s the song, stupid!

Recently, Bob Iger and Co. unveiled plans for an extensive overhaul of Disney’s California Adventure. Nestled among the plans including blockbuster attractions in Carsland and a complete redo of the opening plaza was a long-shelved attraction based on The Little Mermaid. Disney followers will know that this was originally planned for EuroDisney, and can [...]