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By Michael - February 2nd, 2012
Courtesy of John Donaldson come these sketches by Herb Ryman; they are preliminary studies for EPCOT’s Italy pavilion. While they are merely sketches, they do convey a Rymanesque sense of atmosphere and – of course – hint at a cast of interesting characters in the foreground.
The landmarks depicted do differ somewhat from [...]
By Michael - January 19th, 2012
Over at the Walt Disney Family Museum’s blog Storyboard – which you should be reading regularly by now – I’ve written an article about the Disney studio’s contributions to the VIII Winter Olympic Games in 1960. It’s an interesting and rarely-told part of Disney lore, and an overlooked step in Walt’s progression from [...]
By Michael - November 16th, 2011
Today, the Walt Disney Company is a multi-billion dollar hype machine cranking out a stream of press releases on a daily basis. But long ago, the Disney studio was literally a garage-based organization and hardly the talk of the town. Still, the 22-year-old aspiring mogul managed to get his name in print – [...]
By Michael - November 8th, 2011

In a speech during the 1970s, author Ray Bradbury famously referred to Imagineering as a “Renaissance organization.” That was an apt metaphor; that first generation of Imagineers contained a remarkable collection of what could legitimately be called Renaissance men (and a handful of Renaissance women as well). These artists, many of whom had been culled from the realm of live-action motion picture art direction as well as Disney’s own animation studio, had not grown up going to Disneyland and dreaming of theme parks; they had seen the world and, like Walt himself, were fascinated with a slew of seemingly unrelated and esoteric subjects.
Over the years, though, the mantle of Imagineering’s resident “intellectual” seems to have settled on John Hench. Another long-time Disney staffer and former artist at the animation studio, Hench was the reserved, studious sort. After Walt’s death, when individual Imagineers started to come to the fore in the media, Hench’s position at the top of the WED pile ensured that he received lots of print coverage as Disney tried to figure out what they were going to do about EPCOT. During this time, he publicly began to discuss his philosophies about “the architecture of reassurance” and what, exactly, made Disney Disney.
Continue reading Hench On Hench
By Michael - October 30th, 2011
One of Disney’s great, iconoclastic artists was Eyvind Earle, a master painter responsible for bringing a stylized flair to midcentury Disney animation. Earle was heavily involved in the unique backgrounds and production design of Sleeping Beauty. I would elaborate on his biography, but thankfully we are able to see his life through his own words.
Continue reading Eyvind Earle, A Biography
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Four Decades of Magic

Essays about the first forty years of Walt Disney World, including two pieces by yours truly. Available in print and for Kindle.
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