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Cracking The Code, And A Year In Review

There’s been a lot of thought lately directed towards the problems facing the Disney theme parks, and how – if possible – they can be resolved. One rather shocking discovery I’ve made, and which I plan on addressing more in the future, is that a tide seems to have turned against Disney on the fan message boards and social media. Fan boards have typically been on the sunny side in the past, happy to accept whatever Disney hands down, but this seems to have changed. Sometimes it seems that folks like myself, who have tended to view the company with a critical eye and were often branded cranks in the past, have become among the least despondent members of fandom.

This has taken me by surprise, and I’ve been at a loss to really explain it. As I’ve said, it’s an odd time to be a critic, with the company willing to spend once more but making dubious choices in the theming of these multi-million dollar expansions. Even more baffling is Walt Disney World, my personal area of greatest interest, which seems to rise and fall on a daily basis; depending on which subject you’re addressing – attractions, entertainment, foods, transportation – you can waver between optimistic and despondent on an hourly basis.

Big new Fantasyland plans? Yay! Decaying Tomorrowland? Boo! Tasty new burgers at Pecos Bill? Yay! Shortened hours and generic chicken nuggets at Columbia Harbour House? Boo! Classy new Town Square Theater? Yay! The hideous Stitch stage blaring Cotton Eye Joe in Tomorrowland? Boo!

It’s hard to keep track. And it’s hard to really chart the progress of the resort when you have snazzy new rockwork going up in Fantasyland but monorails falling apart outside the gates. What is most baffling is that many of us feel that the absolute nadir of the Magic Kingdom is behind us, and the park has seen an overall rise in quality and maintenance over the last few years. While it is far, far from its historical peak, of course, it’s at least better – better than when Under New Management festered in Adventureland, or the Exposition Hall remained empty, or the 20,000 Leagues lagoon sat stagnant and filled with floating garbage. The Magic Kingdom is better off, and the other parks are certainly no worse off than they were five years ago, so why are so many people worried? And why does the future quality of the resort feel like such a dicey proposition?

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The Carsland Conundrum

For Disney fans of a critical bent, it used to be easy knowing where to channel one’s rage. Disneyland falling apart from neglect and mismanagement? Blame Paul Pressler and his gang of idiots. Key elements of Animal Kingdom’s master plan left out on opening day? Blame Eisner, or the “pencil pushers”. California Adventure? Blame everyone VP level or above. Once Disney began its long slide into mediocrity, beginning noticeably around 1994 and cratering out about ten years ago, the villain was remarkably consistent and easy to identify – cheapness. Penny pinching. Cutting corners. Basically, the refusal by management to commit the resources necessary to creating new things in the tradition that made Disney great.

A lot has changed since then. Management is different at the top, and in many places at the bottom as well. Eisner’s replacement, Bob Iger, seems much more willing to spend on projects that he finds worthwhile and he mended a number of bridges to the creative community that had been burned. John Lasseter of Pixar was brought in as a creative consultant to Imagineering, which many – including myself – thought simply had to be a good idea. Most importantly, money is being invested in the parks; a billion dollars has been poured into an effort to make California Adventure habitable, a long-needed overhaul of Florida’s Fantasyland is underway, and other projects wait in the wings – projects like the Avatar-themed area of Animal Kingdom that surprised everyone when it was announced earlier this year.

So, all is well… right?

Continue reading The Carsland Conundrum

Literally The Strangest Thing I’ve Ever Seen At Walt Disney World

I considered many titles for this article.

The typically punny things, naturally – things like “Why We Deride” and things like that. But I think it’s important to underline the fact that this is the strangest thing I’ve ever seen at Walt Disney World. That might be quite the buildup, as I’ve seen a lot of strange stuff, but this one left me standing in the street, mouth agape, and laughing maniacally. It’s just so strange.

It’s well documented that I have a bone to pick with the Studios Formerly Known As Disney-MGM. Not only is it generally bursting to the seams with fail…

"What was that you were saying about visual contradictions, Mr. Hench?"

…But among all the Florida parks it has fallen furthest from its potential for greatness (Yes, yes, I know current Future World might qualify for that dubious honor, but at least it used to be brilliant and EPCOT still has Showcase). I’ve always been enthralled by the classic era of Hollywood filmmaking, as well as the iconic look of that period’s architecture and design. Studios should be a slam dunk, with such rich material to draw on; it also gives designers leeway to explore themes and periods that are absorbing but wouldn’t fit in a Kingdom-class park. The western frontier and tropical jungle were dangerous places that Disneyland distilled and made safe and accessible; to modern audiences the mean streets of Los Angeles and New York City might seem equally threatening but they’re just as full of rich iconography and deeply-ingrained lore to exploit in a theme park environment. Studio whiffs on that potential and lacks a clear vision or purpose.

But that’s all beside the point. While my subject here might possibly be used to illustrate the unfocused and sub-par aspects of the Studios, it’s just so incredibly bizarre and random that it transcends lack of theming (or veneer-thin theming) and poor spatial layout. It’s so absurdist it almost becomes art in and of itself; there’s simply no reason why this existed. The fact that it did exist means that somewhere there’s a story that I desperately want to know.

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D23 Exposition (Rave Edition)

And now, the rest of the story…

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D23 Exposition (Rant Edition)

My recent “brief” blogging absence began, roughly, around the time of this year’s D23 Expo in August. Even before that point, though, I had quite a few things I wanted to discuss about D23 in general and this year’s events in particular. Writing about the “official Disney fan club” is rather complicated for me, as I feel I’ve been a big supporter of the concept overall – perhaps more so than most in my particular branch of persnickety fandom. But as eager as I am for the venture to succeed – after all, if it is eliminated, how long will we have to wait before the company takes another stab at celebrating its history? – its events this year reveal many undercurrents and tensions that bear examination and problems that demand remedy.

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